tag:blogger.com,1999:blog-66712704510458127752024-02-07T03:26:41.372-08:00The Black Swan DiariesSharing the struggles and celebrating the triumphs of being African American in the ballet world and beyond.Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.comBlogger30125tag:blogger.com,1999:blog-6671270451045812775.post-8233363270304733102012-02-05T23:42:00.000-08:002012-07-10T12:37:22.190-07:00A Time for Celebration<div style="text-align: center;">
<span style="font-size: large;">"God gives nothing to those who keep their arms crossed." -African Proverb</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.massvacation.com/blackhistory.php">[source]</a></td></tr>
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Wow! It has been way too long since the last post. I have learned so many wonderful things since the start of this project, but like most new endeavors, a tremendous amount of personal investment is required. Fortunately, as a dancer I am no stranger to hard work. I love creative opportunities and have always followed my passion with tireless effort.<br />
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One new exciting piece of news is the announcement of a <a href="http://www.etsy.com/shop/SwanDreams?ref=seller_info">new Etsy shop</a>. Yay! I have continued looking for novel and exciting ways to promote this project, as well as locate space to showcase signed fine art prints ( printed on high quality ink jet printers with archival inks, mounted and frame ready). Etsy is a fantastic forum for my project and I am currently debuting some exciting new items.<br />
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<u><span style="font-size: large;"><i><span style="color: #660000;">BLACK HISTORY MONTH DISCOUNT!</span></i></span></u><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiQ4TZXn60KLxCX0LUhqAXyG72zQ1SFwip237cI4x9bJU3Qe-6fNtEPmOhheVthmykQZDHdnVBbgmb2d4z61AvoxpuESBpsKs4kLAz_1LQJBv9nB_VRXFxNILGVaeoNw-x8Myvxw7I1Nc/s1600/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiQ4TZXn60KLxCX0LUhqAXyG72zQ1SFwip237cI4x9bJU3Qe-6fNtEPmOhheVthmykQZDHdnVBbgmb2d4z61AvoxpuESBpsKs4kLAz_1LQJBv9nB_VRXFxNILGVaeoNw-x8Myvxw7I1Nc/s1600/images.jpg" /></a></div>
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In honor of Black History Month, I would like to offer all of my blog readers and Facebook followers a <b>10% discount</b> on all items purchased in my Etsy shop for the <b>entire month of February</b>. It is my small way of saying thank you!<br />
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**Make sure to<b> enter coupon code BHM2012</b> when checking out to claim your discount**</div>
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<a href="http://www.etsy.com/listing/90962799/fine-art-greeting-card-ballet"><b style="color: #20124d;"><u>LIMITED EDITION SIGNED FINE ART CARDS</u></b></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7N9W0GM2yCBju3ZzGXVMxWe-1M46WKb8rK2UYGRyWqsLEc_HQgdxil1C2UXehJETRhKgnQR9x2Fs6MCFNDl4YvoUmgK_8LW-C1D55ttiawrZrtmQIzGbnJnq0vpqJJEz_30tX0TudnRs/s1600/IMG_2085.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7N9W0GM2yCBju3ZzGXVMxWe-1M46WKb8rK2UYGRyWqsLEc_HQgdxil1C2UXehJETRhKgnQR9x2Fs6MCFNDl4YvoUmgK_8LW-C1D55ttiawrZrtmQIzGbnJnq0vpqJJEz_30tX0TudnRs/s320/IMG_2085.JPG" width="292" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_a-uaaxiPXZrjwvI6Q5h8Lyoh2TQMqSxJcRTCVcf87XkClqs7XCLyimUpNOwfmCpJD4ZeLUyMuKCM-hEUDxhyKz8hQXecWmeHSqALh60jJo29SgO7AWb38w2G__IwVH7MNI26HXWmDBU/s1600/IMG_2317.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_a-uaaxiPXZrjwvI6Q5h8Lyoh2TQMqSxJcRTCVcf87XkClqs7XCLyimUpNOwfmCpJD4ZeLUyMuKCM-hEUDxhyKz8hQXecWmeHSqALh60jJo29SgO7AWb38w2G__IwVH7MNI26HXWmDBU/s320/IMG_2317.JPG" width="320" /></a></div>
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<a href="http://www.etsy.com/listing/91834884/fine-art-photo-cardsset-of-4-mix-and"><b style="color: #20124d;"><u>SIGNED BLANK PHOTO CARDS</u></b></a></div>
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<tr><td class="tr-caption" style="text-align: center;">Photography: Paul D. Van Hoy II www.fotoimpressions.com</td><td class="tr-caption" style="text-align: center;"> </td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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I have always loved vintage and spent many days scouring over antique shops looking for the best performance earrings - changing make-up, hair and jewelry was one small way to keep repeated ballet's fresh and new. A small trick, but helped to keep the experience new. Adding some vintage items to the shop will be not only a pleasure for me, but will allow me to continue to share the inspirational beauty of ballet with all of you. <br />
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I have always loved creating things, and now with the start of this project and the very real need to raise funds for its implementation, I have found a great home on Etsy. Etsy combines both the creative dimension of this project with the fundraising mechanism necessary to meet financing requirements. This project requires generous support in order to spread the message of hope and inspiration to young women everywhere. <br />
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One of the goals of this project is to share inspirational images in a non-exclusive format and at a price that is affordable for everyone. Therefore, I have included greeting cards that are both inspired by the message of The Swan Dreams Project and quite inexpensive. Please stop by, say hello, choose a favorite item or leave a suggestion of something you would like to see. My ears and heart are open!<br />
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I need all of your help to keep moving this project forward, and in return I hope to leave you with creative beauty and inspiration.<br />
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<a href="http://www.etsy.com/people/SwanDreams?ref=si_pr">www.etsy.com/shop/swandreams </a></div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com4tag:blogger.com,1999:blog-6671270451045812775.post-78189005640577960642012-01-21T15:33:00.000-08:002012-08-30T14:04:03.295-07:00New Video<div class="separator" style="clear: both; text-align: center;">
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In case any of you missed it on Facebook</div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/H9uGWyndt3o?feature=player_embedded' frameborder='0'></iframe> </div>
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Paul D. Van Hoy II</div>
www.fotoimpressions.com<br />
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Food for thought:</div>
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<b>“Young people who are involved in making something beautiful today are less likely to turn to acts of violence and destruction tomorrow.”</b> - Janet Reno, former Attorney General (Farnum 1998). </div>
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Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-33730779866581430202011-12-21T15:06:00.000-08:002012-07-10T12:30:50.633-07:00The Swan Dreams Project<i><span style="color: #073763;">“Never underestimate the power of dreams and the influence of the human spirit.”</span></i> - <b><span style="color: #073763; font-family: Times,"Times New Roman",serif;">Wilma Rudolph</span></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEfFZpAGR2Ax84tBOQsR4rNBlNr2wO96AVCgEWsx82cl9hXf1Z_Hk1sVDxxwj6FEbY_TFsXq01USOu6kqcccWVc5TnsfQnEMumVbgK3S85gB07Ww9Xhzio4_dO7hobeDbb3aQPG5hjyVY/s1600/_MG_7713.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEfFZpAGR2Ax84tBOQsR4rNBlNr2wO96AVCgEWsx82cl9hXf1Z_Hk1sVDxxwj6FEbY_TFsXq01USOu6kqcccWVc5TnsfQnEMumVbgK3S85gB07Ww9Xhzio4_dO7hobeDbb3aQPG5hjyVY/s320/_MG_7713.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photography: Paul D. Van Hoy II www.fotoimpressions.com</td></tr>
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I would like to thank everyone for their feedback and encouragement regarding <a href="http://aeshaash.zenfolio.com/" style="color: #660000;"><i><b>The Swan Dreams Project</b></i></a>. This project is still in its infancy and I look forward to watching it continue to take shape over time. Messaging through the power of positive self-imagery is a large component of this Project, with one of the goals being to make the language and imagery of ballet more accessible to the African-American community. In order to further this goal, I have captured deeply personal images that personify the message of Swan Dreams in photographs taken in the community where I was born and raised. Part of the proceeds from the sale of these images will go to community and non profit organizations to share the beauty of ballet with youth in challenged neighborhoods. To increase circulation of the<i style="color: #444444;"><b> Swan Dreams </b></i>message, these images are being offered at reduced prices on <a href="http://aeshaash.com/"><i><b>aeshaash.com</b></i></a>. I will continue to use this blog to update all of you on the work and progress <i style="color: #660000;"><b>The Swan Dreams Project</b></i> is making. </div>
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<a href="http://www.danceforall.co.za/">Dance for All</a>, is one of a few organization that has caught my attention. I have been campaigning towards getting some of their "wish list" items fulfilled and hope that through the work of <i style="color: #660000;"><b>The Swan Dreams Project</b></i>, we will be able to make a substantial contribution sometime soon. </div>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://followingruth.blogspot.com/">[source]</a></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
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Just since its debut, <i style="color: #660000;"><b>The Swan Dreams Project</b></i> has donated more than $500 worth of imagery, in hopes of inspiring and encouraging more young artist. </div>
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<b style="color: #0c343d;">The Word is Spreading!</b></div>
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Recently,<span style="color: #660000;"> </span><i style="color: #660000;"><b>The Swan Dreams Project</b></i> was featured on the blog of a very cool and innovative company called<a href="https://www.papernomad.com/"> <b>Papernomad</b></a>. The company creates sleeves for your notebooks, ipods and ipads that are made from 100% organic, water resistant, tear resistant and flame retardant paper. Environmentally and socially conscious, one of the company's passions is to "question existing systems..." Using paper materials to cover electronics is one way to start! The company's product is meant to showcase our uniqueness and individualities, and for me therein lies the beauty of their vision. </div>
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<a href="http://www.papernomad.com/">www.papernomad.com</a></div>
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I would like to thank the wonderful individuals of <b>Papernomad</b>, and encourage others to not only visit their site and blog, but to support such companies who promote individuality,creativity, and social consciousness.<br />
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I look forward to using my <b>Papernomad</b> notebook sleeve to document this project's journey.<br />
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<br /></div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com1tag:blogger.com,1999:blog-6671270451045812775.post-75082733853604206112011-10-29T14:04:00.000-07:002012-07-10T12:32:24.907-07:00The Next Step<div style="text-align: justify;">
As some of you may have notice over the past few months, my participation to this blog has dwindled, as I have been working tirelessly on a project I promised to announce. Over the past few months I have largely put aside blogging to commit myself to this project that has become not only a mission, but a labor of love. Well, today I finally get to announce just what all the work has been about and introduce to you...</div>
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<i style="color: black;"><span style="color: #444444; font-size: large;"><b style="color: #073763;">The Swan Dreams Project</b> </span></i></div>
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One of my goals, even before beginning a professional career, has always been to change the demoralized, objectified and caricatured images of African-American women by reminding young ladies from more challenged environments, that they too can command poise, grace, elegance and beauty-they can be beautiful swans. As a professional ballet dancer, I used my passion as a vehicle to get this message across. Like many others may have experienced, the need for such positive self-imagery amongst young African American women is greatly needed. A need which also transcends ballet.</div>
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Art inspires, edifies and unites. A community without art is broken, unrealized. Children who participate in the arts are better socialized and have improved academic performance. The gradual, yet harmful affects of cuts in the art, music and athletic programs in city schools all over the country is well documented. Children cut off from all creative and constructive outlets are left to engage environments commonly filled with drugs, violence and dysfunction. Breaking these historical cycles requires access to new ideas and possibilities. Ballet not only allows a child to cultivate discipline, strength, a collective vision and a sense of beauty and elegance, but opens up an entirely new world of art, history and possibility. However, none of these benefits redound to the African-American community due to cultural isolation, historical income disparities and the resultant lack of access to the arts, particularly ballet. In a global and pluralistic society, ballet would be enriched by company diversification, which would in turn increase minority participation, support and patronage. </div>
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Through a series of photographs shot in my hometown, the City of Rochester, NY, I sought out the use of imagery as a vehicle for sending my message as far and wide as it would travel. <i><b> <span style="color: #073763;"><span style="font-family: Times,"Times New Roman",serif;">The Swan Dreams</span> Project</span></b></i>, with its goals of increasing minority participation in ballet, is not only a way for me to give back to my community through the gift of art, but to also contribute to, and enrich ballet itself.<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/zz7-JfPEes4?feature=player_embedded' frameborder='0'></iframe><br />
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<span style="font-size: x-small;"><i>(Images are already being donated to the City of Angels Ballet for a December auction, as well as The Thomas Armour Youth Ballet which they will use for the inspiration of their students.)</i></span><br />
<span style="font-size: x-small;"><i>Paul D. Van Hoy II<br />www.fotoimpressions.com </i></span></div>
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<b>How can you help?</b></div>
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By purchasing an image you are helping to spread not only the message of<span style="color: #073763;"> </span><i style="color: #073763;"><b>Swan Dreams</b></i>, which is one of hope and perseverance, but you are utilizing the power of imagery to inspire. Pulitzer Prize winner, Eddie Adams, whose photograph helped change Americans attitudes towards the Vietnam War once wrote, “still photographs are the most powerful weapon in the world.” For myself, it was an image of Andrea Long-Naidu on the wall of The School of American Ballet that empowered me as a young aspiring ballerina. Images do indeed have power, and what we don't see sends as powerful a message as what we do.<br />
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I hope these images will stand as a reminder that all things are possible. Beauty and grace are not limited by race or status—they are boundless, limitless. Ballet is for everyone to experience and share!!!</div>
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<b><a href="http://aeshaash.zenfolio.com/" style="color: #073763;">Click to purchase prints</a></b> </div>
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<b><span style="font-size: x-small;">(A portion of the proceeds will go towards non-profit organizations that are helping to bring the benefits of ballet to inner city communities. Another portion will go towards funding the reproduction of images that will be donated to community centers, youth organizations and schools, as well as future work towards making the art of ballet more accessible and inclusive. )</span></b></div>
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<i>I hope you will find the power and the message behind these images worth spreading.</i></div>
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Thank You! </div>
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<span style="font-size: large;">Inside The Project</span><br />
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<tr><td style="text-align: center;"><img border="0" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMSl9gmyWjFSJyNdzkVUf-S9b-CO1E26lW_odmHx9Hw-k8tSMUmrr-9RZ_m6AuLCdUxQpBIs4zMgq0QPwaOtUngJ5dNVmjNsx_rUYWAxHHMeq2oxvC6r-exfg6EMdbyF1Z5UhwK3wWKQ/s320/_MG_7119v2.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paul D. Van Hoy II<br />
www.fotoimpressions.com<br />
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The backdrop for this project is my native home in the City of Rochester NY. Much of the photography and inspiration for the project comes right from the heart of my community. My experience posing for pictures and dancing in full ballet attire on street corners and neglected neighborhoods throughout the city was both inspiring and enlightening. I was also extremely proud to tell astonished and curious bystanders that I was a ballet dancer from their community. One gentleman shouted out during my shoot," that's what I'm talking about, ballerina in the hood!" At that moment I understood the positive and transformation impact of art, and how connecting people to it inspires pride and a sense of purpose. Just seeing me in a familiar environment gave this gentleman a sense of pride as he walked off with his chest held high, as if pronouncing to the world, "We can do it too!” Throughout this project, many young girls commented that they had never seen a ballerina before, which broke my heart.<br />
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<span style="font-size: small;">October 12, 2011 from Philanthropy News digest regarding funding for the arts:</span></div>
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<u><b>Arts Funding Does Not Reflect Nation's Diversity, Report Finds</b></u></div>
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<i>A new report from the National Committee for Responsive Philanthropy argues that funding for the arts benefits a mostly wealthy, white audience, with only a small portion going to emerging arts groups that serve poorer, more diverse communities...</i></div>
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Read the full article <a href="http://foundationcenter.org/pnd/news/story.jhtml?id=356700007" style="color: blue;">here</a></div>
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<b>More Than a Stereotype</b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt_Vv4Iv5YCdLlXj64RWktmCcQOJYsMfDnF3Ol0XNjf1jP0f_CHiDw0CJbDJroJfaENCJC3p2NqRjj8zKTdKlb0QdbHS1MVdUa4Pu6mP9JreVLV7bVE87UFeTRE9MdsuZEnKr6Ov8HlnI/s1600/michaela.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt_Vv4Iv5YCdLlXj64RWktmCcQOJYsMfDnF3Ol0XNjf1jP0f_CHiDw0CJbDJroJfaENCJC3p2NqRjj8zKTdKlb0QdbHS1MVdUa4Pu6mP9JreVLV7bVE87UFeTRE9MdsuZEnKr6Ov8HlnI/s320/michaela.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dancer Michaela DePrince First Position Films</td></tr>
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It is no secret that every major ballet company has a pronounced lack of African-American dancers, from the corps to the principals. As a result, African-American patronage to the ballet is conspicuously lacking. Barriers to entry, such as the cost of classes/attire, and stereotypes regarding classical ballet imagery, has left an entire population deprived of the enrichment of ballet.<br />
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I interviewed the talented Michaela DePrince upon viewing a promo for the film <a href="http://www.facebook.com/pages/FIRST-POSITION-A-Ballet-Documentary/145595865456110">"First Position."</a> She made a comment during an interview where she stated her desire in wanting to be seen as "soft." I wanted to dig a bit deeper and ask Michaela more about her reasoning and feelings behind this comment. My interview with Michaela went as follows:<br />
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<span style="color: #660000;">You once commented on the fact that you wanted to be seen as "soft." Could you elaborate on this a bit and help those who may not fully understand what you meant by this statement?</span><b> </b></div>
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<b><span style="color: black;">Answer:</span></b></div>
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<span style="color: black;"> </span><span style="color: #073763;"><span style="color: black;">I don't want people to stereotype me. Many people think that black women are too muscular, too athletic, too large and lack the artistry to present well as a classical ballet dancer. I don't want people to think of me as a one style dancer. I want to be known as a versatile dancer who has the power to dance the grand jetes of a Don Quixote variation, but also has the delicacy to dance Aurora in Sleeping Beauty or a sylph in Les Sylphides</span>. </span></div>
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<span style="color: #660000;">When did you first encounter this idea that maybe you, or other African-American dancers were not viewed as soft</span>?</div>
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<span style="font-family: Georgia,"Times New Roman",serif;">I was about nine years old when one of my dance teacher's told my mother that they try not to put to much time and effort into their black dancers because they all end up either doing modern because they aren't able to control their power, or they end up getting too heavy in the thighs. I have also heard other parents openly say, "Black girls can't dance ballet. They should stick to contemporary." Also, it didn't take me long to discover through online searches that there were very few female ballet dancers in top tier classical ballet companies.</span></div>
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<span style="color: #660000;">Do you feel that this stereotype extends beyond the ballet realm?</span></div>
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</b><span style="font-family: Georgia,"Times New Roman",serif;">I think that is an impression that people have in the general population as well. When people learn I'm a dancer they either ask, "What do you do? Hiphop?" or they ask, "Are you planning to dance at Alvin Ailey or the Dance Theatre of Harlem. It never, ever occurs to them that I want to dance in a company like ABT. I may be equally good at modern or contemporary, but that's not what I want.</span></div>
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<span style="color: #660000;">How has that affected you as a dancer?</span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">At times it makes me doubt myself and wonder if perhaps I should just do what the world expects of me as a dancer, because I feel as if the ballet world is still not ready for a very dark woman in ballet. Then I feel so sad that after all my work I might not make my dream come true, that I become even more ambitious and driven.</span></div>
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<span style="color: #660000;">What have been ways in which you have tried to combat this stereotype?</span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Answer:</span><br style="font-family: Georgia,"Times New Roman",serif;" /><span style="font-family: Georgia,"Times New Roman",serif;"> </span></b><br />
<span style="font-family: Georgia,"Times New Roman",serif;"> I make a supreme effort to control my weight. I'll never be anorexic, because I love food too much, but I work hard to maintain a healthy well balanced nutritional daily diet that keeps me physically fit as well as slender. I don't want to lose my muscle mass, but I don't need extra fat. Also, I work very, very hard at developing artistry so that I look delicate when I dance. I work hard at exercises that make my legs long and lean. I also try to perform in venues that bring me to the attention of the ballet world and ballet aficionados, because I want to change opinions about black female dancers. Last year, when I danced at the International Ballet Competition in Jackson, Mississippi a woman...a ballet teacher from Mississippi saw me and said, "I never knew that black girls could point their feet."</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"> I hope that someday I can dance in a world class ballet company and teach young dancers, especially black girls. I would like to be a role model to these children and share with them whatever secrets they need to know to grow as a black ballerina in the white world of classical ballet.</span><b> </b></div>
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I thank Michaela for her gracious responses and remember all too well sharing some of her same sentiments. I know that she is not alone.<b> </b></div>
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<tr><td class="tr-caption" style="text-align: center;">The Swan Dreams Project</td></tr>
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<span style="font-size: small;">A few organizations already at work:</span></div>
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<span style="font-size: small;"><a href="http://thomasarmouryouthballet.org/">Thomas Armour Youth Ballet</a></span></div>
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<span style="font-size: small;"><a href="http://www.thecityofangelsballet.com/">The City of Angels Ballet</a></span></div>
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<span style="font-size: small;"><a href="http://www.ditsaz.org/">Dancing in the Streets Arizona</a> </span></div>
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</div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com3tag:blogger.com,1999:blog-6671270451045812775.post-24171024157918965602011-10-06T12:20:00.000-07:002012-07-10T12:32:46.316-07:00Is There a Lack of Interest from the African-American Community for Ballet?: A Conversation with Dancer Ikolo GriffinNow that we are all back from vacation and our normal lives have gone back into full swing, I have been spending the majority of my time working on a very personal project that I look forward to sharing with you all very soon. My absence from the blog was do to this work that I hope will produce positive and inspiring results. <br />
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<tr><td class="tr-caption" style="text-align: center;">Photo Ikolo Griffin by Sandy Lee</td></tr>
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While conducting research for this project, I discovered an interview which included myself and fellow dancer, Ikolo Griffin, published in the <b>San Francisco Gate</b> in 2007. The interview was conducted by Rachel Howard and raised some very important issues that should be addressed. When asked about the disparity of African-Americans in the ballet world, my fellow interviewee stated the following:<br />
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<b>"The African American culture isn't that interested in ballet as an art form," Griffin said. "I think that's what eventually caused DTH to sink. There wasn't enough interest from the black community to support a ballet company. But African American culture has its successes in music, in sports, in jazz, in so many other fields. And the ballet has enough support from other communities."</b></i><br />
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After revisiting this interview, I contacted Ikolo to elaborate on his comments, as well as respond to a few others. Below are the questions I submitted to Mr. Griffin, as well as his responses.<br />
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In your opinion, why is there so little participation and interest for ballet by African-Americans?</b><br />
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Fundamentally, ballet in America today rarely offers relatable programming for the African-American community, and there is not enough effort to attract new and diverse audiences. People go to the theater to see something of themselves; to see something they can relate to and feel a genuine emotional or cultural connection. You can’t blame people for not being interested in something that is not emotionally, culturally, or artistically interesting to them. If ballet is to be a truly American art form, it should reflect all aspects of the American condition and thereby attract more interest and participation from all communities. The only place that I’ve really seen ballet inspire diverse communities was at Dance Theatre of Harlem, where despite financial setbacks there remains an active focus on building new audiences through educational programs and a repertoire that truly reflects American diversity. Another unique thing about my experience at DTH was seeing people on stage who looked like me, and knowing that young people from many cultures would see someone on stage they could relate to. It was very difficult to be a company member during DTH’s struggle for financial support and eventual closing in 2004, but it heartens me to see the potential for a new company growing. Because it’s not just about being the one black person in the corps, it’s about being given an opportunity to succeed at higher levels and to become a principal dancer. That will truly make a difference in how the African-American community can look at ballet as an art form.</i><br />
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You commented regarding the successes in other fields made by African-Americans and that ballet had enough support from other communities. Do you feel that it's not really necessary to push the issue over greater African-American presence in ballet, since we have so many other successes to be proud of? Would ballet even benefit from African-American presence, and why/why not? </b><br />
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Let’s say this: Ballet would benefit from becoming a comprehensive reflection of American culture. In this economic climate, arts organizations are in need of support on all fronts, and ballet companies will need to diversify if the art form is to survive in this century and beyond. In that sense, ballet would truly benefit from the participation of many diverse cultural communities. African-Americans have a lot to offer the ballet world, but until the doors of diversity are truly open, it will always be a struggle. I would love to see more beautiful black ballerinas on stage, and I believe that the ballet world and the African-American community would benefit from that presence.</i><br />
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Do you believe the problem starts in the African-American community first or the ballet community as a whole needs to take more action?</b><br />
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<i><span style="color: #073763;">I believe the problem starts in the ballet world, and the problem is discrimination. Becoming a ballet dancer requires not only a specialized and highly trained physique, but also a tireless work ethic and, at times, a very thick skin. Dance is a visual art form; outward appearances are scrutinized to the smallest detail, so it’s no surprise that skin color comes into play. All dancers of color that I’ve met have stories of encountering the sometimes blatant cultural insensitivity that has become ingrained the fabric of ballet. The tradition of classicism in ballet can still make room for cultural diversity and the acceptance of new visions and ideals; this is how an art form evolves to remain relevant and important in the world at large. This is what needs to change in order to revolutionize the face of ballet and make new precedents for dancers of color in America</span>.</i><br />
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Mr. Griffin made it clear to me that this is of course his opinion, developed from his personal experience in the ballet world. While we may only have are our own unique experiences in the end, my hope is that we can use our unique experiences and perspectives to improve the current and future prospects of young dancers.<br />
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Following my interview with Mr. Griffin, he introduced the topic of mixed heritage dancers and requested an opportunity to speak more on the subject. Here Mr. Griffin has opened up about some of the challenges he has confronted, introduces us to his organization, as well as his thoughts on where ballet needs to head in the future. <br />
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<i style="color: #073763;">In June 2001, I left my home in San Francisco for a new life in New York with the Dance Theatre of Harlem. I didn’t know what to expect, and I certainly got more than I had bargained for. I finally found myself around people I could relate to, and this is how I realized my significance as a mixed heritage ballet dancer. I had grown up in the San Francisco Ballet School from the age of eight and danced with the professional company for seven years when I realized I had hit the glass ceiling. I could have spent my whole career there and never made it past the corps de ballet. At DTH I saw my potential reflected in the people around me, whereas at SFB there was always somebody with a gold medal and a luscious head of hair to complement the leading roles. I had been restricted by my own success as the “hometown outreach boy” in San Francisco, and at DTH I had a new opportunity for my talents to shine. And they did! Before DTH, I never would have imagined being able to perform leading roles on opening night at Lincoln Center State Theater. For three short years I was truly a principal dancer in my own right; I grew most artistically in those three years because I could see the success of other dancers of color around me. There was something about being around other mixed-heritage dancers that took away the pressure of “tokenism” and allowed me to relax enough to open up and grow as an artist. I had finally found a place to share the experience of being a mixed heritage ballet dancer with others like me.<br />
Arthur Mitchell taught me the importance of having a cause behind my dancing, and that we represent something greater than ourselves. I’ve taken that and applied it to my mission of spreading mixed-heritage awareness in my home community. For the past ten years or so, I have partnered with my best friend, Nathalie-Andree Muzac, to create Living Bridges, an effort dedicated to mixed-heritage awareness education. We assert that people of mixed heritage are not “halves” but wholes. We must allow ourselves to feel wholly who we are, to acknowledge every cultural aspect of our heritage and ancestry as a complete part of our being. For me, that means owning both my father’s African roots and my mother’s Jewish traditions. I’m not half-black, half-Jewish, I’m fully both. Often, people of mixed heritage feel forced to choose or trapped in between, never feeling like they fit in with any culture. In some cultures, being mixed can diminish status and devalue an individual’s cultural rights. We are teaching empowerment through lectures, classes, and dance presentations to show the cultural richness of being mixed heritage and to encourage others to become living bridges in their own communities. It’s this cultural richness that needs to be incorporated into ballet as a classical art form in the modern era.</i><br />
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I encourage you to read about his organization, <b>Living Bridges</b>, at <a href="http://ikolo.net/ikolo.net/Home.htm">Http://ikolo.net/ikolo.net/Home.htm</a>l<br />
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Despite our varying backgrounds, many of us can identify with the feeling of being an outsider, and understand that feelings of marginalization or tokenism is unhealthy in any professional environment. Diverse and inclusive environments provide space for individuals to grow, flourish and share their unique identity with the world.<br />
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I want to thank Mr. Griffin for his generosity in willing to participate and open up about such a personal and sensitive topic. I believe such honesty and openness is not only cathartic, but builds bridges of understanding by making us realize how truly connected we are to one another.Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com5tag:blogger.com,1999:blog-6671270451045812775.post-35953031541605487082011-07-11T14:00:00.000-07:002012-07-10T12:34:38.832-07:00Summer is here!<div class="separator" style="clear: both; text-align: center;">
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Summer is here and so too is the mood of leisure and relaxation. For most dancers this is the time to search for new jobs, going on tour to new and exciting places, or getting a much needed respite from a demanding season. For my part, I will be taking the next several weeks to enjoy my family and friends while working on some personal projects. I am also interested in expanding the format of my blog and would love to hear your insights. <br />
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This blog was inspired by the numerous dancers who have contacted me over the years seeking advice and mentorship. I wanted to provide a useful outlet to share information and common experiences, as well as give a piece of myself back to the art community that has given me so much. Initially, I wanted to help by sharing my experiences, but soon realized that I feel a deeper involvement when I hear about your journeys and respond to your questions. I am considering adding a interactive element to my blog, where readers can share questions, concerns, grips or personal experiences. I have discovered that many artists that email me or post to this blog have similar areas of concern and interest. Many feel isolated and alone. I feel a more community based dialogue can help eliminate unnecessary feelings of isolation, as well as inspire. There are so many wonderful, yet unheard stories, so many moments of inspiration, triumph and accomplishment—these victories, great and small, should be celebrated and shared. <br />
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My vision for this blog is to serve as catalyst for frank, honest and respectful dialogue, where our voices can be heard and our issues and concerns shared. I want artists to have a place to both celebrate their craft and challenge it when necessary. Nothing is off limits. I want to hear your stories, which are therapeutic not only to me, but I hope to you and others as well. <br />
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Please feel free to write to this blog or leave a message on <a href="http://www.facebook.com/pages/Black-Swan-Diaries/140940069304400">The Black Swan Diaries Faceook page.</a> You may remain anonymous upon your request. <br />
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Thank you all for your support throughout the year. I am looking forward to hearing your input and sharing your insights. Have a great summer everyone!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com2tag:blogger.com,1999:blog-6671270451045812775.post-57775908951534475022011-06-30T14:14:00.000-07:002012-07-10T12:33:42.228-07:00Where's My Spotlight?<div class="separator" style="clear: both; text-align: center;">
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It’s never a good feeling when a dancer is not selected for a desired role on casting day. I have seen many disenchanted young dancers carry this disappointment into the next performance. However, I often remind them that the joys of performing are not confined to soloist and principal roles. The love of this wonderful art should not end when the spotlight leaves you.</div>
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Some of my fondest performances were less intense ballets as a member of the corps.The pressure of a solo performance, or more intense role, was removed and I was free to become a part of an uninhibited and collective experience. I sometimes used less spotlighted roles to experiment with hair, make-up, varied technical approaches and even experimenting with a new pointe shoe. In each role I would also search for moments of inspiration that would allow me to get lost in the composition and choreography so that I could make the performance my own. My love of dancing was not pegged to the amount of attention I received. Although, I am keenly aware of dancers desire to feel rewarded and appreciated by being cast in premier roles. Casting often seems like a vindication of our efforts. However, we should not let disappointment rob us of the joy that comes with being totally connected with our passion. The focus should be on how we perform, not what we perform—we should seek to immerse ourselves in every role, and in so doing, make it indelibly our own. <br />
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I, like many young dancers, would have given anything to perform certain ballets, and I have certainly had my share of casting upsets-the occasional ballet dream became more frequent and vivid during these times. However, I can look back on all my performances and say I made the most of each one, whether a proud soloist or free-spirited member of the corps. I didn’t let casting steal my joy of performing—and neither should you. After all, you never know who may be watching. <br />
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Stay inspired!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com4tag:blogger.com,1999:blog-6671270451045812775.post-72703870804133506442011-06-22T17:45:00.000-07:002011-06-22T17:45:23.360-07:00BALLET: A Love Affair<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg2r7lZ4JWe0yoUWmrfXJSxypwj1x8Otx9SaaGrcpMJnJx9cf7sjf7GhC5AuxcJCVzu-13Py4fSiRA3QtEelYvkVVtYDfWhjB0AfhkrcCxtfibdz-roDpMcfI0gdDL7RXX1aLGz0PE2jI/s1600/Untitled+0+01+36-02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg2r7lZ4JWe0yoUWmrfXJSxypwj1x8Otx9SaaGrcpMJnJx9cf7sjf7GhC5AuxcJCVzu-13Py4fSiRA3QtEelYvkVVtYDfWhjB0AfhkrcCxtfibdz-roDpMcfI0gdDL7RXX1aLGz0PE2jI/s1600/Untitled+0+01+36-02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg2r7lZ4JWe0yoUWmrfXJSxypwj1x8Otx9SaaGrcpMJnJx9cf7sjf7GhC5AuxcJCVzu-13Py4fSiRA3QtEelYvkVVtYDfWhjB0AfhkrcCxtfibdz-roDpMcfI0gdDL7RXX1aLGz0PE2jI/s400/Untitled+0+01+36-02.jpg" width="278" /></a><br />
</div>From the moment I laid eyes on a pointe shoe, my curiosity took hold of me and I just knew that I had to dig deeper into this world of ballet and discover its majesty. <br />
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From tutus to tiaras, there are so many things about the imagery and majesty of ballet that captured my young adolescent heart. However, as I matured I started falling in love with the challenges that ballet posed. I found pleasure in mastering variations, pointe work and the complexities of partnering. Ballet at once occupied a space of great effort and magic. Ballet is where my passion met my inherent drive to push and perfect. The pressure to maintain grace, elegance and discipline before discerning audiences became not only palatable, but a joy! I have never been comfortable being the center of attention. Yet, when I performed it was as if all onlookers had disappeared. It was through this splendid isolation that I was able to bear my soul with such honesty and sincerity. Even preparation rituals were sensory-filled pleasures, from the stroke of my make-up brush, the mist of hair spray to the splash of a favorite perfume. The headpiece, the earrings and the costume, the race of my heartbeat before the curtain rose, the adrenaline after a successful performance, all seemed to nourish some mystic part of my being. This world seemed uniquely my own, and was a part of a fantasy I could indulge in night after night. A true love addiction. <br />
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Ballet taught me so much about myself and given expression to a person I never knew existed. It was because of ballet that I learned how strong and resilient I truly am. I learned that there is more than one way to achieve a desired result and what works for one may not work for another. I learned that beauty comes in many shapes and colors, that life is full of contradictions- sometimes you need to dig down to lift yourself up. Finally, ballet has allowed me to experience my dreams in living color. <br />
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<div style="text-align: left;">The magic of ballet starts well before the curtain raises and I am so honored to say that I have experienced every moment of it. </div><div style="text-align: left;"><br />
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</div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-74682329529538619162011-06-15T14:55:00.000-07:002011-06-16T13:35:46.774-07:00That Little Green-Eyed Monster<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjssP-_Lz5wmAHgvrmhxRHjiB9KAovzwfkL4k3b3T-fBLf_uLShvaexc1GgcvzdlqNd5esTAwv7FzsEfD2sRBMT5QDfybA0qv3aXH6g4gHO-tUPnDa_1W3vxB_BInIRG0vIC321uRDL5C8/s1600/index.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjssP-_Lz5wmAHgvrmhxRHjiB9KAovzwfkL4k3b3T-fBLf_uLShvaexc1GgcvzdlqNd5esTAwv7FzsEfD2sRBMT5QDfybA0qv3aXH6g4gHO-tUPnDa_1W3vxB_BInIRG0vIC321uRDL5C8/s320/index.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.treklens.com/gallery/Oceania/New_Zealand/photo210095.htm">[source]</a></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
</tbody></table><div style="text-align: left;"><span style="background-color: lime;"></span><span style="background-color: white;"></span>Many of us have dreams of a better life and wonder how things might have been had we always walked on the sunnier side of the street. I grew up in a working class, urban neighborhood, and always envied the suburban kids who seemed to have very plum lives. As a dancer, I wished I had the natural gifts of some of my counterparts who performed so effortlessly, as if they were simply born to dance. However, with maturity I have learned to embrace my own unique journey as one that instilled hard work, perseverance and appreciation for all of life’s gifts. I also learned to use other’s success as inspiration, instead of a source of envy. I use the gifts I admire in others to motivate myself to push harder and dream bigger. Through the process of humbling myself, allowing others to inspire me, I learned to try. Through trying I learned to fail, and through failure I was able to inspire many. <br />
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Ballet was not innate and did not come naturally to me. Becoming a ballerina took a willingness to humbly place myself amongst superior talent with a student’s mind and a heart determined to succeed. I no longer envy my neighbor’s gifts, I chose to learn and be inspired by them. Even the unobtainable can serve as inspiration!<br />
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</div><div style="text-align: left;">With a positive attitude, the willingness to embrace inspiration around us, and the faith to try—we can obtain our dreams. </div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-33592174384712586852011-06-09T21:26:00.000-07:002012-07-10T12:34:02.061-07:00Dear Aspiring Artist,<div class="separator" style="clear: both; text-align: center;">
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Throughout my career, I refused to allow the obstacles of fear or rejection to prevent me from obtaining my goals. Through belief in myself, support of loved ones and sheer force of will, I was able to leave my modest, working class home and perform in some of the world’s great halls and theatres. I have accomplished things in my short life that have been long unobtainable for so many. I am truly blessed and grateful to all those who have given me support and challenged me to be greater than even my own expectations. That encouragement and inspiration fueled me, and I in turn would like to encourage young people struggling to realize their dreams to never give up hope! I am proud of my modest beginnings, strengthened by the hills and valleys I’ve walked throughout my career, and encouraged by my victory over adversity. You never know when your opportunity will present itself—so don’t give up on yourself or your passions! Keeping believing in yourself and your reward will come by way of victory, or perhaps just the simple satisfaction that you invested your all, tried your best, and never gave up on yourself! <br />
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With love,<br />
Aesha AshAesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com1tag:blogger.com,1999:blog-6671270451045812775.post-84578380181456697972011-06-01T13:35:00.000-07:002011-06-01T13:35:31.224-07:00FROM PRINCESS TO DIVA<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPfVAjxhABx9eHcLqXOKghQqPmCSQTAh4EWp_Zk7gkeRyS9DF3-a58zYH41ry-J2sJXOqREbNwJGU99Gwz-yPsin2OGrRabq5xkobKq-XDxk9FWOnN7oNHBWBMenU4MwvxzupC5K6bA84/s1600/princess.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPfVAjxhABx9eHcLqXOKghQqPmCSQTAh4EWp_Zk7gkeRyS9DF3-a58zYH41ry-J2sJXOqREbNwJGU99Gwz-yPsin2OGrRabq5xkobKq-XDxk9FWOnN7oNHBWBMenU4MwvxzupC5K6bA84/s200/princess.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.google.com/imgres?imgurl=http://blogs.urbanbaby.com/sanfrancisco/files/2010/01/princess.jpg&imgrefurl=http://blogs.urbanbaby.com/sanfrancisco/category/activities/rainy-day/&usg=__qv9QruVAN8fUroOZ6Uy1SACy9ck=&h=333&w=500&sz=117&hl=en&start=19&zoom=1&tbnid=4vCsbuQgOJWTKM:&tbnh=109&tbnw=162&ei=VFDlTaeGKPHRiAK01bj1CQ&prev=/search%3Fq%3Dlittle%2Bprincesses%26hl%3Den%26biw%3D1241%26bih%3D670%26tbm%3Disch&itbs=1&iact=hc&vpx=286&vpy=189&dur=1691&hovh=183&hovw=275&tx=90&ty=89&page=2&ndsp=25&ved=1t:429,r:14,s:19&biw=1241&bih=670">[source}</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKDkRml6GCEByfBA-Af3iu6w6aPf4jTen8coU6RiDep4-fZHvrs-2krxxxMJmWXxgALLy7rbcP7tpOcwdSidDgwRsFqMqDCu1Yo1hBHikU0OdXLVdODE8MdQwTwBb00VHTWZi63HswSaQ/s1600/images.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKDkRml6GCEByfBA-Af3iu6w6aPf4jTen8coU6RiDep4-fZHvrs-2krxxxMJmWXxgALLy7rbcP7tpOcwdSidDgwRsFqMqDCu1Yo1hBHikU0OdXLVdODE8MdQwTwBb00VHTWZi63HswSaQ/s200/images.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.google.com/imgres?imgurl=http://www.blackcelebkids.com/wp-content/uploads/2010/05/singleladies.jpg&imgrefurl=http://www.blackcelebkids.com/2010/05/14/too-young-to-be-so-sexy-who-is-to-blame/&usg=__svJr_xL9YAiboQ-Vn1IJrebvmpI=&h=364&w=548&sz=63&hl=en&start=15&sig2=5jv4HTrF5XF7J51aI9Mjvw&zoom=1&tbnid=fq9CerhS1gVTgM:&tbnh=157&tbnw=209&ei=2p3mTZnbEoP0swPQh43_Bg&prev=/search%3Fq%3Dgirls%2Bgrowing%2Bup%2Btoo%2Bfast%26hl%3Den%26biw%3D1241%26bih%3D670%26tbm%3Disch&itbs=1&iact=hc&vpx=749&vpy=330&dur=18&hovh=183&hovw=276&tx=143&ty=143&page=2&ndsp=18&ved=1t:429,r:10,s:15&biw=1241&bih=670">[source]</a></td></tr>
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As a young girl, who I choose to look up to was definitely affected by the morals and values my parents put into place at a young age. I wonder now, as I see it becoming the norm that women exploit themselves, from magazines to videos, who are the role models for young women and girls today. My childhood “idols” were strongly influenced by the values instilled by my parents. However, with women’s self-exploitation prevalent throughout popular culture, from videos to magazines, I wonder who young women are looking up to today, and what cues are they receiving from their heroes. <br />
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I recall offering to teach ballet at a community center some time ago. I worked with only a small group of children, but I was struck by the lack of interest many of them had with ballet. They were completely aloof regarding all things classical--it seemed only my pointe shoes could grab their attention. However, my class was more than just ballet instruction, I wanted to impart the lesson that ballet could teach them how to comport themselves with dignity and grace through its discipline, impeccable form and decorum. I wanted to show them that they did not have to be overly sexualized to be beautiful.This was the lesson my mother taught me, which was reinforced through ballet. After an evening of implementing this lesson in my small class, I was heartbroken to see these young ladies, not old enough to drive, emulating the lewd and suggestive dances of video vixens while waiting for their rides home. Unfortunately, this behavior is commonplace, and endorsed by the silence of adults. I left the program feeling hopeless and unproductive—besides, I had only a couple of days to work with them, while the destructive lyrics and images pumped from their radios, televisions and computers worked on them everyday. How could lessons regarding dignity, discipline and grace compete with a 24 hour cycle of glamorized exploitation set to enticing baselines and special effects? <br />
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As I see more and more young women emulating what they see represented in the media, I often wonder what happened to admiring women of substance. Why is it acceptable for many of our young women to behave like divas and dress like sex objects? We should stand as a community of parents, neighbors and people of good conscience to resist this wave of vulgarity pawning itself off as entertainment. We should stop teaching young women through our silence and indifference that it’s acceptable to exploit your beauty and be seen as a sexual object. Our daughters, sisters and nieces are more than “eye candy” or half-naked video props, they are princesses who should understand their value and worth. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDuiZ88__rnc6PPOVY1x49TdgKzjOsbqzh8wolxrQ4Mwb4D68fOqtJEbMwFoCoHWwY1ZJywGXvvZ8At2_Lixd-9SRxA7MQ1odVG30t7hInpJr36WC1rUdipgvbDdSriTSiGLUkfs9lDK0/s1600/6a00d83451ccbc69e20128765779ab970c-400wi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDuiZ88__rnc6PPOVY1x49TdgKzjOsbqzh8wolxrQ4Mwb4D68fOqtJEbMwFoCoHWwY1ZJywGXvvZ8At2_Lixd-9SRxA7MQ1odVG30t7hInpJr36WC1rUdipgvbDdSriTSiGLUkfs9lDK0/s320/6a00d83451ccbc69e20128765779ab970c-400wi.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.google.com/imgres?imgurl=http://pzrservices.typepad.com/.a/6a00d83451ccbc69e20128765779ab970c-400wi&imgrefurl=http://pzrservices.typepad.com/advertisingisgoodforyou/2009/12/wtf-cnn.html&usg=__-GWgKg8QhXrlQdHeS3gjTyxHdto=&h=400&w=400&sz=200&hl=en&start=71&zoom=1&tbnid=3dwwbrXS64Wy5M:&tbnh=158&tbnw=139&ei=NFHlTYymFsjfiALR2-TyCQ&prev=/search%3Fq%3Dlittle%2Bafrican%2Bamerican%2Bprincess%26hl%3Den%26biw%3D1241%26bih%3D670%26tbm%3Disch&itbs=1&iact=hc&vpx=224&vpy=268&dur=1090&hovh=225&hovw=225&tx=137&ty=94&page=5&ndsp=19&ved=1t:429,r:7,s:71&biw=1241&bih=670">[source]</a></td></tr>
</tbody></table><br />
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I look forward to having more opportunity to offer the benefits of my classical training to more and more young women and girls. I do believe that it is possible to capture their attention and win their appreciation. It will definitely take a little more work and creativity to undo their media induced trance, but it can be done!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com6tag:blogger.com,1999:blog-6671270451045812775.post-43262924757321801062011-05-27T00:32:00.000-07:002011-05-27T00:32:59.996-07:00That Four Letter Word<div class="separator" style="clear: both; text-align: center;"> <span style="font-size: x-large;">D . I . E . T</span></div><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaWSH6CVTvqBAR5QzFVckxfZG2geOVY-nDkF8uFXsNNhm2Vnfm4BsY8CbDwU5wM29jlRN4qviAHpPfSxlLKH7oAnOkFbhu80K9sopWpKPEHAsrnu2YQCASefQNol1p08uyUojL-ni1jTk/s1600/Diet+Food.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaWSH6CVTvqBAR5QzFVckxfZG2geOVY-nDkF8uFXsNNhm2Vnfm4BsY8CbDwU5wM29jlRN4qviAHpPfSxlLKH7oAnOkFbhu80K9sopWpKPEHAsrnu2YQCASefQNol1p08uyUojL-ni1jTk/s320/Diet+Food.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://bigperfectdiet.com/diet-food-plans-pictures">[source]</a></td></tr>
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Like many other dancers, I will never forget the first time I was told to lose weight. My mother pulling me to the side after an audition only to whisper that horrible phrase,"you need to lose weight." I was mortified. After all, I was one of those kids who could eat everything in sight and never gain an ounce. I guess that only lasted so long. Not coming from a family of dancers, or a culture in which a super thin silhouette is admired, the concept of diet was not in my vocabulary. I had no idea where to begin. <br />
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Since that dreadful day, I read every book on diet and nutrition I could get my hands on and experimented with every diet known to man. I remember my parents’ frustration during meal times. The foods I once loved I now rejected. The pancakes in the morning smothered in syrup or eggs and bacon atop a homemade buttermilk biscuit that use to have me jolting out of bed on a normal day, were no longer calling me to the morning table. My father seemed the most clueless of all when it came to diet, and as a skinny 6'3" southern boy who ate everything in sight, this came as no surprise. Oh the sweet naivete of my father who at one time offered me a cup of water and double checked the nutrition facts to reassure me there were no calories. I recall even trying to survive a whole day on a single apple, only to scarf down a days worth of Chinese delivery by evening. Not a healthy practice by anyone’s standards I assure you! Throughout my career, there continued to be a series of ups and downs and changes with every new fad. Food soon became my nightmare and my silhouette’s worst enemy. <br />
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As an adult with a more mature pallet, I have learned a lot about nutrition since my days of dancing in NY. The diet I have adopted now is not only healthy but effortless. No more counting calories and changing fads. What I have learned from my dear European friends is that food is meant to be enjoyed. It is not a science project nor solely a source of fuel. Every moment is a sensory indulging experience, from the preparation to the plate. Yes, food in my home was always enjoyed and the preparation a pleasurable bonding experience between my mother and I, but there is a totally different level of enjoyment when you know where your food comes from, the history behind the dishes and the cultural traditions in the preparation. It is almost a religious experience. I have learned, when you take the time to enjoy really good food, there is no need to over indulge. One morsel of some of the finest chocolates in Switzerland would leave heavenly flavors swirling around my palate an entire 20 minute bus ride home. Ahhh...the memories.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4UPNxj-iVZ6CgeofeJvmzIbjADKRl7JfNbClSm8TKrdPZuIFtwx3eMH2nUh6tj3mSTlDdkjuiUv7iLrAoQnlz0VwLSHnNE9YvKO7jRM4VtDsWSd2m-2hIt4qG0mrTdYmkxcYdGZf9Brk/s1600/will-allen-growing-powerhouse-by-kate-croft.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4UPNxj-iVZ6CgeofeJvmzIbjADKRl7JfNbClSm8TKrdPZuIFtwx3eMH2nUh6tj3mSTlDdkjuiUv7iLrAoQnlz0VwLSHnNE9YvKO7jRM4VtDsWSd2m-2hIt4qG0mrTdYmkxcYdGZf9Brk/s320/will-allen-growing-powerhouse-by-kate-croft.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.thewhofarm.org/2008/10/06/congratulations-will-allen-together-we-are-growing-power/">[source]</a></td></tr>
</tbody></table> I have since tried to bring my new found love of good food home with me and share this knowledge with those I love. As many may know, getting good quality food in this country certainly comes at a price. You will not find many organic supermarkets near most inner cities in the US, and even if they did exist many households couldn't afford the price. Thankfully, there are organizations popping up around the country that have recognized this issue and are making efforts to address it. People such as Will Allen of Growing Power, Inc whose organization develops community food systems, "that help people grow, process, market and distribute food in a sustainable manner," as stated on the website <a href="http://www.growingpower.org/">growingpower.org</a> Please take a moment and learn more about what this wonderful organization is doing.<br />
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Dieting has never been an enjoyable experience, but developing healthy habits is certainly rewarding and satisfying. Eating healthy doesn't mean partaking in lifeless, tasteless meals, it’s simply a matter of investing the time to find what you like and making healthier meal choices. However, it should also be about creating access to healthier options for everyone to enjoy. I look forward to the day when good, healthy and sustainable food is made available to each and every family, irrespective of location or income.<br />
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So as I throw away the scale and bid adieu to my flavorless days of rice cakes and cottage cheese, I embrace with open arms my new colorful and flavor filled world of delicious and healthy food.<br />
Buon Appetito!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-44113651465333787882011-05-18T14:07:00.000-07:002011-05-18T14:08:51.129-07:00With Gratitude<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVurp7E9HZvUrZM3_RR0sd4WtV6WgYiWGFgAZ3RJrUpr9s560qOR3IocYu_Az10tnukLZwf4hSWxDBEZg0L3VfN_hqKStk92nv3dMCL2sQB3jReIFFA3TdacXajfwPfTS9EiERTld0umE/s1600/_MG_7288.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVurp7E9HZvUrZM3_RR0sd4WtV6WgYiWGFgAZ3RJrUpr9s560qOR3IocYu_Az10tnukLZwf4hSWxDBEZg0L3VfN_hqKStk92nv3dMCL2sQB3jReIFFA3TdacXajfwPfTS9EiERTld0umE/s400/_MG_7288.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by Paul Van Hoy II</td></tr>
</tbody></table>Each week I try to use this forum to share my struggles and triumphs in an effort to inspire young dancers who have felt marginalized and voiceless. Many dancers, particularly those of color, fight an internal battle over self image, self worth and their place in the art they love so much. They bear their struggles with a smile, a beautifully painted face, and flawless performances—but there often lays deep reservoirs of pain and reservation just beneath the wonderful surface. I want to encourage these dancers to keep on fighting, believing in themselves, and making beautiful art. I want to say never be discouraged, and never allow the whispers of self-doubt or unkind words of those around you to destroy the spirit that makes you dance. There is a place for you, and through faith, resolve and encouragement, you will become the beautiful swan you aspire to be!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv6f-s69IhNa6H-xp3I-COm8LjfXPTl-1a0iej0EFtJ7rHTd3CWnw36pP9IQU9dibCajaVMiQPTFsKZCPxlu5SV7mxUKj5aq4dUKOlrESRzxB2oM64Vmz6_bzEsB_M0dAE0wShbQCgkXU/s1600/_MG_6852.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv6f-s69IhNa6H-xp3I-COm8LjfXPTl-1a0iej0EFtJ7rHTd3CWnw36pP9IQU9dibCajaVMiQPTFsKZCPxlu5SV7mxUKj5aq4dUKOlrESRzxB2oM64Vmz6_bzEsB_M0dAE0wShbQCgkXU/s400/_MG_6852.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by Paul Van Hoy II</td></tr>
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It was important for me to take the time and say just how grateful I am to all the individuals who inspired me throughout my career. These individuals gave me encouragement when I felt different, insecure, out of my element and far away from home. I thank the friends and confidants for the patience, love and emotional support they loyally provided. I thank the strangers who filled my inbox with messages of admiration, as well as those who stopped me on the street to exchange a kind word. I thank the children who filled my heart with gratitude as they lined up after performances to request pointe shoes, and my family for constant support and grounding. And despite the tears and hardships, I thank ballet, which opened up an otherwise unachievable world and gave me a form of expression that leaps from my very soul, and brings joy to those with whom I am fortunate enough to share my passion.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNs8PE_TIkj1-uATzDpYrM2JGb85xnCvA7aNM_XG_qxok4T25jeUl_Xzghosvpkw9t155mMamVIGEoz2C-sG05ztEsmVDq1-nmcJSu2-314LrwnSPrT-7C1FEHQ6SttpjwPT2WBCuqd4g/s1600/_MG_7626.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNs8PE_TIkj1-uATzDpYrM2JGb85xnCvA7aNM_XG_qxok4T25jeUl_Xzghosvpkw9t155mMamVIGEoz2C-sG05ztEsmVDq1-nmcJSu2-314LrwnSPrT-7C1FEHQ6SttpjwPT2WBCuqd4g/s400/_MG_7626.jpg" width="230" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by Paul Van Hoy II</td></tr>
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It is my honest hope that the candid manner in which I share so many of my pains and joys will inspire others to make the wonderful art of ballet more inclusive and compassionate, so that there will be more beautiful swans of every color!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxtzUf7qfdAsKLQ_0vOEAj_BFrbaK37Jdc4Wu6uW21v2i_CsvW9kXDFybXtH2YT7sGAzteXM0A24qBTjW36bDA1FK4xGMu1y9DSDGL0ThngJQzLh68Aj5sUnSV5bYhdXgZK5rhlWhRjds/s1600/_MG_7924.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxtzUf7qfdAsKLQ_0vOEAj_BFrbaK37Jdc4Wu6uW21v2i_CsvW9kXDFybXtH2YT7sGAzteXM0A24qBTjW36bDA1FK4xGMu1y9DSDGL0ThngJQzLh68Aj5sUnSV5bYhdXgZK5rhlWhRjds/s400/_MG_7924.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by Paul Van Hoy II</td></tr>
</tbody></table> The Cost of Pursuing a Dream cont...<br />
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Last week I wrote a post regarding the difficulties that many lower income families have in pursuing ballet as an option for their youngsters. I spoke of City of Angels Ballet, whose director Mario Nugara has not only recognized this problem, but has made a personal effort to resolve this issue in his home of Los Angeles. Recently I was sent this video by Joey Rodgers, founder and Artistic Director of Dancing in the Streets, Arizona. Mr. Rodgers is yet another individual working towards resolving the issue that many face when it comes to the financial difficulties in involving a child in ballet.<br />
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<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/CCrXYK0Sr8A?feature=player_embedded' frameborder='0'></iframe></div><br />
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I am so thankful to these individuals who are making such a huge impact in the lives of these children, their families and communities. If you know of any other organizations such as these, please send them my way! The more we know about efforts such as these being made, the more opportunity there is for inspiring another individual to maybe make a small effort of their own.<br />
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Ballet is a glorious and powerful outlet and should be made available to all who are captivated by its majesty.Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com1tag:blogger.com,1999:blog-6671270451045812775.post-72002518393443732612011-05-11T13:24:00.000-07:002012-07-10T12:33:29.787-07:00The Cost Of Pursuing A Dream<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7k-jUVtcY_TOFRefIJTXeCDDwBKCwbzcykcS5rfT9XXNuXwSBI352pWhI4L-2DzDsX7GevkCBZEpiA_D0YuGFgXCxKZoHSWYgQzoSljWclHf-GmBcepMAJHuKyqfGTU2aqVAFimSfNCA/s1600/_MG_7977.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7k-jUVtcY_TOFRefIJTXeCDDwBKCwbzcykcS5rfT9XXNuXwSBI352pWhI4L-2DzDsX7GevkCBZEpiA_D0YuGFgXCxKZoHSWYgQzoSljWclHf-GmBcepMAJHuKyqfGTU2aqVAFimSfNCA/s320/_MG_7977.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo Paul D. Van Hoy II<br />
www.fotoimpressions.com </td></tr>
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Though previous efforts have been made to expose inner city youths to ballet, I’ve often wondered what happens after they fall in love. How can these bright eyed children from difficult backgrounds possibly afford the costs associated with this patrician art form. The weekly purchase of point shoes alone stresses even middle class families finance.<br />
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As a child, I scarcely understood the sacrifice my family made so that I can pursue a ballet career. Classes, shoes and attire not only meant tremendous financial commitment from my parents lower middle class budget, but from my siblings as well, who would sometimes have to forego certain ambitions due to the family’s strained resources. Despite the burden a simple costume fee placed on my family’s finances, I still managed to attend ballet classes five to six times per week, purchases of dozens of pointe shoes a year along with a drawer full of tights and leotards. Reflecting on all the costs, it’s no wonder why ballet is rarely pursued by the underprivileged. Without support from scholarships, the tireless efforts of my parents to find resources for me and the sacrifice of my siblings, I would have never been able to pursue my passion. It is truly heartbreaking to think that there is some little girl out there dancing in her living room, dreaming of tutus and tiaras, who may never get the opportunity to pursue her dreams because she lacks the means.<br />
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While discussing this difficult and very personal issue with a friend, I was referred to a website for the <a href="http://www.thecityofangelsballet.com/index.html">City of Angels Ballet, Los Angeles</a>, which has the mission of helping underprivileged children actually pursue their dreams of becoming ballet dancers. The website describes the Academy and its mission as follows:<br />
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<i style="color: #0c343d;">Since it's inception in 1993, the City of Angels Ballet has offered hope, inspiration and opportunity, in the form of classical ballet training, to hundreds of talented children from some of the toughest neighborhoods in Los Angeles. At this not-for-profit, selective ballet academy, boys and girls, aged 8 to 18 receive formal instruction and dancewear at no cost to their families. Our dancers reflect the diverse ethnic mix that makes up this city, and most qualify for the Federal Free lunch program at their public schools.</i><br />
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Founder and Artistic Director, Mario Nugara has a lovely quote on the website:<br />
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<i style="color: #0c343d;">"My dream was to create a ballet company and academy reflective of our wonderul diverse city that utilizes the untapped talent existing in every community in Los Angeles. The City of Angels Ballet is well on its way to making this dream come true!"</i><br />
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Underprivileged communities are filled with untapped talent. As a child I remember attending small talent contests in my neighborhood and being blown away at some of the talent that would surface. I was too young to understand just how fortunate and blessed I was to be given an opportunity to explore my talent by my parents and others who believed and invested in me. Far too many, far too often are not so lucky. <br />
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I applaud Mr. Nugara for realizing this need and choosing to take action. What a wonderful gift he is giving to these children and their communities. Through the respect and discipline learned at the academy, students are receiving praises from school teachers and impacts are being felt in their families and communities. Wouldn't it be wonderful if such opportunities could be granted to all underprivileged communities? How many children go down the wrong path because of lack of direction, inspiration or hope. Mr. Nugara is giving these children more than ballet training, he is giving them hope!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com2tag:blogger.com,1999:blog-6671270451045812775.post-62795780498920772452011-05-04T21:16:00.000-07:002011-05-04T21:16:23.491-07:00Gone But Not Forgotten<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeKaMztQzl-eVx3P0liTUM0Iy6XOq9yvzVTsxTEJMoKL01HT76ncJhYP62L2qurvtYn5E7nWBa9NBSgSMZ40hRSsRI3GLXx68XQu5NkEr-2e38HjHhOv6yDLSqLA7xkrmJPLgpM8fYOZs/s1600/_MG_8095_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeKaMztQzl-eVx3P0liTUM0Iy6XOq9yvzVTsxTEJMoKL01HT76ncJhYP62L2qurvtYn5E7nWBa9NBSgSMZ40hRSsRI3GLXx68XQu5NkEr-2e38HjHhOv6yDLSqLA7xkrmJPLgpM8fYOZs/s320/_MG_8095_2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo by Paul Van Hoy II</td></tr>
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As the world breathes a sigh of relief over the killing of Osama Bin Laden, and as we remember those who have lost their lives and others who continue to suffer, I am reminded of the weeks that followed September 11th.<br />
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I will never forget the sense of collective unity formed through this tragedy. I felt a bond of kinship with perfect strangers as we stood in endless lines to give blood, held hands or sang together in Union Square. Walls and stern looks so commonplace as one weaves through congested New York City sidewalk traffic were replaced by an uncharacteristic quiet, compassion and a desire to comfort those around you. Celebrity gossip and tabloid spectacle had lost its significance. Our focus shifted to family, friends, volunteering, being good neighbors and carpe diem--as we were all abruptly made aware just how short and fragile life is. It wasn't too long after we were encouraged to return back to "normalcy" when suddenly celebrities were back on the scene and we were being feed our daily dose of media junk food. Although I understood the need to lift the spirits of a distraught nation, I wished we could have used that horrible tragedy as an opportunity to shift our collective focus and mentality. I wished "normalcy" wasn't a 24 hour partisan news cycle, gossip columns, fast food, high fashion and cosmetic surgery. I missed the moments when strangers and countrymen stood in solidarity to comfort each other and focus on things that really matter like; our country, our communities, our families, and yes, our very own lives.<br />
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To all those who have lost their lives and to those who mourn them, those who bear the scars of tragedy, and to those fighting for freedom, my prayers are with you. We shall never forget!Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com5tag:blogger.com,1999:blog-6671270451045812775.post-20638650075187695162011-04-28T13:16:00.000-07:002011-04-28T13:16:00.863-07:00You Are Not Alone<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJia2ns3cfAQqBru80pkOOvAnuARpZJpLMauYIatufbeK1w8okfP3PrlqZJ2EpTG3jNDLmgRO2XXxYzXkJSXyoXtIZ7rfTVBoAp-TO94KNEReeCBMlwASENpbEsdpPb8wfOXfw1CzQJNU/s400/qFlAZB.jpeg" style="margin-left: auto; margin-right: auto;" width="308" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Source unkown</td></tr>
</tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJia2ns3cfAQqBru80pkOOvAnuARpZJpLMauYIatufbeK1w8okfP3PrlqZJ2EpTG3jNDLmgRO2XXxYzXkJSXyoXtIZ7rfTVBoAp-TO94KNEReeCBMlwASENpbEsdpPb8wfOXfw1CzQJNU/s1600/qFlAZB.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> </a> </div><div class="separator" style="clear: both; text-align: left;">This week I wanted to post something more lighthearted as a counter balance to the weightier issues discussed each week. However, as I read through viewer responses to past blogs, some sharing moments of adversity and others expressing resignation to the harsher realities of ballet, I realized that recounting an amusing anecdote from my touring days, or discussing how my late blooming love of chocolate formed in Switzerland, would be woefully inadequate. Having so often felt isolated and alone throughout my career, I want this blog to connect people who feel they have no voice, and struggle silently. I want this blog to be a forum to express ideas, challenge outmoded notions, spark</div><div class="separator" style="clear: both; text-align: left;">discussion, broaden perspectives and yes, vent! </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">When I came across the above image online, it resonated with me on a deeply personal level. As a child I would silently stare out my bedroom window wondering if I would ever be the royal, ethereal, angelic ballerina of my dreams, or just another stereotype chasing a pipe dream. In sharing this wonderfully powerful image I want to declare to all young artists, who often feel marginalized and left behind, you are more powerful than you know—you are not alone!<br />
</div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com2tag:blogger.com,1999:blog-6671270451045812775.post-75313189434942151992011-04-20T14:10:00.000-07:002011-04-20T14:10:20.370-07:00Thin is in!...Yeah, we know<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPavddrq_wuAbZpJ6_Rz7c9Nl555_ZRTOSqNwDbrmziChTDUGsrHDzzqS6B_ckBXlshzBxwgD21IEKez8PdnYb8OtQxwPgc6DMBZzl4FE5RU71yGPYKPIY4Vw6FYg7-RT3BRsmLk_Ssog/s1600/DIVA-magazine-press-ad_F.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPavddrq_wuAbZpJ6_Rz7c9Nl555_ZRTOSqNwDbrmziChTDUGsrHDzzqS6B_ckBXlshzBxwgD21IEKez8PdnYb8OtQxwPgc6DMBZzl4FE5RU71yGPYKPIY4Vw6FYg7-RT3BRsmLk_Ssog/s320/DIVA-magazine-press-ad_F.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.any-body.org/">[source]</a></td></tr>
</tbody></table><br />
A small post on the website <a href="http://www.any-body.org/">Any Body</a> reads:<br />
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<div style="text-align: center;"><b><i>Ballet (if you can believe it) is an even sicker industry than fashion. Not only are students and professional dancers constantly suffering from body anxiety and emotional and psychological abuse from their teachers, most ballet dancers also have eating disorders. If you've seen "Black Swan" you've seen how horrible the life of a ballet dancer can be. How can we help them to heal and change the standards of the ballet industry?</i></b></div><div style="text-align: left;"><br />
I am not sure that we could ever really "change" these standards. However, there is finally an ever so gradual trend developing towards broadening ballet’s perspective. But for many dancers, the damage has already been done.</div><div style="text-align: left;"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZm9IG8w8OVIvp9Du6vI3_Or_TkycspTp9cA5EtiGRTSlt88CXo1eAuCUXUe94FhEDIrc_LTnYAB33qymO14deyKR_88hz4Wchkfk5zDgj9wIdOPeoXe2vCyP0XKzgwDZjwHYudOsJSac/s1600/1index.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZm9IG8w8OVIvp9Du6vI3_Or_TkycspTp9cA5EtiGRTSlt88CXo1eAuCUXUe94FhEDIrc_LTnYAB33qymO14deyKR_88hz4Wchkfk5zDgj9wIdOPeoXe2vCyP0XKzgwDZjwHYudOsJSac/s320/1index.jpg" width="224" /></a></div><div style="text-align: left;"> </div><div style="text-align: left;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KSKZIEQhXkFdWF7fOEd5pPQ0ueaEDDtmPm9kQOICZEAPb4y5iAijmHsFbGZi-EDO2iJ1fVjDE39iv2-DsGQSfkRtXgZu11VYbXvLg60-sGH1eZ9J6U5VkcKM-H6Ph7BqAw_6nr0VADE/s1600/index.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KSKZIEQhXkFdWF7fOEd5pPQ0ueaEDDtmPm9kQOICZEAPb4y5iAijmHsFbGZi-EDO2iJ1fVjDE39iv2-DsGQSfkRtXgZu11VYbXvLg60-sGH1eZ9J6U5VkcKM-H6Ph7BqAw_6nr0VADE/s320/index.jpg" width="224" /></a></div><div class="separator" style="clear: both; text-align: center;"> <a href="http://www.cherylm.info/sites/photography.htm">http://www.cherylm.info/sites/photography.htm</a></div><div style="text-align: left;"><br />
My struggle with my body image began as a very young woman and sadly continues to this day. After continuous involvement with a career that puts such emphasis on the body, and the media, from Hollywood to high fashion, perpetuating a "rail thin" aesthetic, it's no wonder so many women and girls find it hard to overcome this struggle. While many friends and colleagues would tell me how great I looked, I received no such reassurance from my instructors until I began to shed significant weight from already constantly conditioned physique. This lack of approval made me question the sincerity and/or credibility of my supporters. I couldn’t possibly look good without the blessings of my company masters could I? I tried to come to terms with ballet’s rigid expectations, as well as my own high standards. Although, I wanted desperately to meet the approval of directors and instructors, my own good sense and grounding refused to allow the extreme to become my reality. I would often stall my own progress in the name of rationality. Whenever I would get midway through yet another starvation-like diet, I would then retreat for fear that I was giving into something which I didn't believe in. I created a vicious cycle that caused a lot of frustration throughout my career. I remember trying almost every diet known to man. However, at the end of the day, a button I recall seeing as a child summed these experiences up best: " I have been on a diet for a week and all I lost was seven days!" How many times that expression rang true for me. </div><div style="text-align: left;"><br />
Looking back, I can laugh at all the ridiculous fads I experimented with, but for some dancers, this is no laughing matter. I empathize with those dancers who suffer so much with self-image, especially at very young ages. I know there are more and more efforts being made towards helping younger dancers deal with issues of weight and my prayer is that such efforts will be successful. I must admit I am a bit skeptical. It seems a bit contradictory to expect dancers to reach unhealthy goals in a healthy way. Maybe it is possible...we shall see.</div><div style="text-align: left;"><br />
</div><div style="text-align: left;">I found this video not only disturbing, but it truly saddens me. Unfortunately, I know of far too many with this same mentality.</div><div style="text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/Vu3SUt-cu5U?feature=player_embedded' frameborder='0'></iframe></div><div style="text-align: left;"><br />
</div>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com4tag:blogger.com,1999:blog-6671270451045812775.post-38034762675536882662011-04-13T16:24:00.000-07:002011-04-13T16:24:52.925-07:00Everyone's A Critic<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6n21wDah_q4iyTQeV2WSZ3b_VxkOvBs0-308FG62VmZzmdWOcQA5ZkxHxrp5Uu3mspahhz7oCW34GY5xvq4RkOa5wpdaKA0RtWxvMdE7D6Z2yhbLjW3lMTQumVnX9zuIBn10MQdzOPH8/s1600/during-a-class-for-7-to-12-year-old-boys-at-the-brookline-ballet-school-students-line-up-and-wait-for-their-turn-to-practice-jumps-across-the-center-of-the-room-2010.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6n21wDah_q4iyTQeV2WSZ3b_VxkOvBs0-308FG62VmZzmdWOcQA5ZkxHxrp5Uu3mspahhz7oCW34GY5xvq4RkOa5wpdaKA0RtWxvMdE7D6Z2yhbLjW3lMTQumVnX9zuIBn10MQdzOPH8/s320/during-a-class-for-7-to-12-year-old-boys-at-the-brookline-ballet-school-students-line-up-and-wait-for-their-turn-to-practice-jumps-across-the-center-of-the-room-2010.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://boysballet.wordpress.com/tag/boys-only-ballet-class/">[source]</a></td></tr>
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</div>I always wondered why some dancers are so critical of each other when we are already overwhelmed by critiques, corrections and our own looping internal monologue that speaks to insecurities about appearance and technique. I have often taught classes where I have witnessed dancers laughing at another classmate who was performing an exercise. Perhaps I too have been a culprit of this sort of subtle cruelty. However, as a young dancer, my awareness of others judgments and criticisms made me feel insecure. I never knew what lied behind the smirks, giggles and low whispers. It was easier to hide from an instructor during a difficult exercise, but not the many dancers who surround the studio. Many times I have found myself in awe of another dancer and eager to share my thoughts with the nearest listener. I have also found myself walking away from negative discourse or ignoring a discourteous remark. I grew less tolerant of destructive criticism with maturity. The keen awareness of my own insecurities also made me sensitive and empathetic towards other dancers. When I did infrequently make a negative remark regarding another dancer, I found it was often to cover up my own insecurities. So the question arises: when has bringing another individual down really ever made you feel better? The answer is invariably: Never! No matter the skill level, I have always been a firm believer that you can learn something from everyone, be it footwork, port de bras or just work ethic and determination. It is so much more rewarding to learn from each other than to tear each other down.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_erMii-_CqT04i_OY5iHLYbpGcR1bQkIIWBzC5HE58_FlR7or9aFRyOmLI4-_O3R0_VUXYjWUYHlc3_tdrFkTIRvOIWP59TpRGddvcRT2K1yoLw_lSW6m8t9NZMdTg-AYXf_zSF-sMQk/s1600/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_erMii-_CqT04i_OY5iHLYbpGcR1bQkIIWBzC5HE58_FlR7or9aFRyOmLI4-_O3R0_VUXYjWUYHlc3_tdrFkTIRvOIWP59TpRGddvcRT2K1yoLw_lSW6m8t9NZMdTg-AYXf_zSF-sMQk/s1600/images.jpg" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"></div>Now whenever I have an opportunity to teach younger dancers, I try and make it a point to teach them to be oblivious to the eyes around them. However, applying the cliche: "dance as if no one is watching" is much easier said than done. Some people are able to ignore these watchful eyes quite effortlessly -- oh how I envy them! I think when we teach young dancers the etiquette of the classroom, we should include respecting and supporting fellow dancers as well. I know of many teachers who are already instilling this important lesson-- I applaud you! Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-43314922282201833422011-04-06T22:51:00.000-07:002011-04-06T22:51:54.331-07:00HAIR WE GO...AGAIN!<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAT1Rs0AcGEJ6qVoypxgk4HrLt101dX3uEmzrkVf4nOlQuEaLXMkDUbuKnQeGN-vyCM4P7Nds6wnifD6QtvaAGP1-jqMBC65Um_39TAlc9VPcI1NAsFJ0avr8ibxnGbOJE7yE1O7FNbCI/s1600/Pasted+Graphic+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAT1Rs0AcGEJ6qVoypxgk4HrLt101dX3uEmzrkVf4nOlQuEaLXMkDUbuKnQeGN-vyCM4P7Nds6wnifD6QtvaAGP1-jqMBC65Um_39TAlc9VPcI1NAsFJ0avr8ibxnGbOJE7yE1O7FNbCI/s320/Pasted+Graphic+2.jpg" width="320" /></a></div><br />
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After the response of last weeks post, it occurred to me that there just is not enough exposure to the beauty of our natural tresses. Conceptions about hair are shallow and antiquated. No woman should have to hide one of the wonderful attributes of her unique beauty. Uniformity not only places a heavy tax on diversity, but it can sometimes be really boring!<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdC5gqY1mxQLDmLYlb7UL88zMHehQCPwqNYZAe5EQY6DB8fSrvcf3U1VNEJhVf1znTeWTwSOq7ZEVd5J4r6f7Z4k824C_lco0QHV3yaQ44PTnGIb7q1r755mhY8kaPy968aRKOz28Vg4Q/s1600/bored-audience.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdC5gqY1mxQLDmLYlb7UL88zMHehQCPwqNYZAe5EQY6DB8fSrvcf3U1VNEJhVf1znTeWTwSOq7ZEVd5J4r6f7Z4k824C_lco0QHV3yaQ44PTnGIb7q1r755mhY8kaPy968aRKOz28Vg4Q/s320/bored-audience.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"></div> I have spoken before regarding the beauty of diversity in its many natural manifestations. Diversity should be reflected in people the same way it is reflected in the wonderment of nature. Mother earth in all its exquisite beauty provides the perfect template and inspiration for diversity not only in art, but throughout our lives.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir8yXcaHBAcnzcQmqD1WHFqwRQ9ADZTaWUAqFdBtWYo55czPVHMu_LOKzmzf79whh9AUntuEpznTXJLXoPnCyHNsf58uTfFfGTIU3Z_pUxQ8BMq9Cc-MqT2V7fNIfdJDQAnyH81k4PW-I/s1600/Rainbow+over+Victoria+Falls.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir8yXcaHBAcnzcQmqD1WHFqwRQ9ADZTaWUAqFdBtWYo55czPVHMu_LOKzmzf79whh9AUntuEpznTXJLXoPnCyHNsf58uTfFfGTIU3Z_pUxQ8BMq9Cc-MqT2V7fNIfdJDQAnyH81k4PW-I/s320/Rainbow+over+Victoria+Falls.jpg" width="320" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div>In ending this post, I wanted to put together images that displayed the elegance and beauty found in well taken care of natural African -American hair. <br />
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Be inspired!<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRTD6ik0wYTTHucQKYKaSB2gX9xot6dGZkIwy5CETS2qADrkGxhz362JFWXedOY0qk-_PnWuPXWZNNS5jNIte2_ZqD9FaaWjUDmYMH7ogB0nZ-I1BUjAQCLXfnxNhEnt8jmC2Lf00AiMA/s1600/1__%2523%2524%2521%2540%2525%2521%2523__Pasted+Graphic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRTD6ik0wYTTHucQKYKaSB2gX9xot6dGZkIwy5CETS2qADrkGxhz362JFWXedOY0qk-_PnWuPXWZNNS5jNIte2_ZqD9FaaWjUDmYMH7ogB0nZ-I1BUjAQCLXfnxNhEnt8jmC2Lf00AiMA/s320/1__%2523%2524%2521%2540%2525%2521%2523__Pasted+Graphic.jpg" width="214" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://hairspiration.blogspot.com/">[source[</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-gl2H5BC7Mwp-XJ99SGWMzFESGUXpoLmR5TXIGo5oOHZlPwTXJkwU6YwOAmJkZLKn7J9QX1wNjW9HDZx6AZtjcCXUDl-ytmQICKAE47_MXCMSbuu0GavUUj5QrgrWboqSzpMgWHezldM/s1600/Pasted+Graphic+3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-gl2H5BC7Mwp-XJ99SGWMzFESGUXpoLmR5TXIGo5oOHZlPwTXJkwU6YwOAmJkZLKn7J9QX1wNjW9HDZx6AZtjcCXUDl-ytmQICKAE47_MXCMSbuu0GavUUj5QrgrWboqSzpMgWHezldM/s320/Pasted+Graphic+3.jpg" width="250" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://hairspiration.blogspot.com/">[source]</a></td></tr>
</tbody></table><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEg61_0FYccvMQzife8RrQT68cBy4jxL9yFXV0NsZK6PPKqLL1WhEW6AVY83O6hSZDdbMvn9skJIUxI4ub8vi33BLLboJmD2IFPy-57dpNix3QY6D1E8_mJ3CnQ8LU8m5baKqatFf1XS0/s1600/Pasted+Graphic+1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEg61_0FYccvMQzife8RrQT68cBy4jxL9yFXV0NsZK6PPKqLL1WhEW6AVY83O6hSZDdbMvn9skJIUxI4ub8vi33BLLboJmD2IFPy-57dpNix3QY6D1E8_mJ3CnQ8LU8m5baKqatFf1XS0/s320/Pasted+Graphic+1.jpg" width="212" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://hairspiration.blogspot.com/">[source}</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://afrobella.com/">[source]</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.naturalbeautifulhair.com/">[source]</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.blacknaps.org/">[source]</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://edmagiktv.blogspot.com/">[source]</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl802nflo33m7Op_WjRx8ST1o4if8lUvfM9rFxq8ozLcHmIIUNfHBxWVQA8cpZgnZ5qV5UuMmggHrE64awIm8vqRACm7SIBxNwRS9Vb_JnbG7uzZzneiuGatMnyf9uuytIjGxIhMo8_Ds/s1600/Pasted+Graphic+9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl802nflo33m7Op_WjRx8ST1o4if8lUvfM9rFxq8ozLcHmIIUNfHBxWVQA8cpZgnZ5qV5UuMmggHrE64awIm8vqRACm7SIBxNwRS9Vb_JnbG7uzZzneiuGatMnyf9uuytIjGxIhMo8_Ds/s320/Pasted+Graphic+9.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Inna Modja - singer/songwriter/model</td></tr>
</tbody></table>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com0tag:blogger.com,1999:blog-6671270451045812775.post-56629062059456562852011-03-30T22:29:00.000-07:002011-03-30T22:29:27.976-07:00HAIR WE GO<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: left;"><tbody>
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<tr><td style="text-align: center;"></td><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb3LnCOopD9MUxCMgMBqe8_Di5zSPHg8RwJT5C3DUuTIn1OAxP3Ww59mOUwmHrpb0QUYkb3kGaTgWUvf3oLmav1Ed5prlhwvGM66JHsrtIVmEJwka8SYIbUItZet5AnYc-788_YjvosRQ/s1600/tumblr_lfgefqHxZp1qdosm7o1_500.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb3LnCOopD9MUxCMgMBqe8_Di5zSPHg8RwJT5C3DUuTIn1OAxP3Ww59mOUwmHrpb0QUYkb3kGaTgWUvf3oLmav1Ed5prlhwvGM66JHsrtIVmEJwka8SYIbUItZet5AnYc-788_YjvosRQ/s320/tumblr_lfgefqHxZp1qdosm7o1_500.jpg" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> </td><td class="tr-caption" style="text-align: center;"><a href="http://dusttracksonaroad.tumblr.com/post/3258366056/i-find-the-natural-hair-charming-interesting-esp">[source]</a></td></tr>
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I came across this photo while doing some research on my last post. It was the observation in the paragraph that followed which presented an interesting topic and stirred up some uncomfortable memories from my past. The comment went as follows:<br />
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<i>“i find the natural hair charming/interesting, esp because a black ballet dancer would almost certainly have to straighten/pull back her hair, unless the company was alt/up-and-coming/deliberately provocative. but i don’t think i’ve ever seen a picture of a black ballet dancer with a fro. natural hair, yes. fro, no.”</i><br />
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This comment made me recall several instances where my hair caused me to feel distant and removed from the classical art I had grown to love. There were many ballets where the dancer was meant to wear their hair down, and the image of long flowing locks billowing through the air as the dancers movement graced the stage was a breathtaking image for all who observed. Many of the ballets highlighted hair as the dancers were required to either wear long ponytails or have lengthy hair that draped and flowed during performances. This built in aesthetic posed real challenges to many girls no matter what ethnicity, but an even greater challenge for myself and other dancers of color. Luckily, we all had tricks up their sleeves to overcome these natural challenges. One particular instance during my time at Bejart Ballet will forever stick with me. While choreographing a new piece, Maurice Bejart instructed each dancer to let down their hair to see if he could incorporate that into the piece. He instructed each girl, one by one to take down their hair, and as I stood their watching each girl’s hair fall gracefully down their backs, my insecurity begin crawling its way up my spine. My hair is textured and not prone to falling down straight like what I have seen in many ballets. I believed in protecting my hair by keeping it natural and avoiding harsh and damaging chemical perms and relaxers. I also enjoyed the versatility that my natural hair provided. However, inside I knew this was not the image he was looking for. I certainly had never seen any evidence that my hair type was desired as the above comment so pointedly stated. Therefore, when my turn came and I loosened my hair band—my hair puffed out crinkly and curly, not straight down. Maurice smiled and some dancers chuckled. Luckily, I was a much more mature dancer and was able to brush off such a reaction. I could only image how such insensitivity would have affected me as a younger dancer. However, this episode still bothered me. It never feels good to be laughed at because of who you are. However, although I was offended and disappointed, I was not surprised.<br />
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<div class="separator" style="clear: both; text-align: center;"></div> Recently I found an article from the Afro-Europe International Blog. It mentioned an episode in the Netherlands where a young Dutch girl was excluded from attending a ballet class because her hair was not worn in the required smooth bun. Actions were then taken against the school and hopefully this issue was resolved, but it does leave me torn. I do believe that ballet requires great discipline and that begins in the ballet studio. This involves a strict dress code, fierce work ethic, respectful demeanor and of course requirements on hair. I came from a school that didn't even allow girls to wear bangs. Thanks to the billion dollar hair industry, there are a plethora of options out there for achieving this "classical look." However, what happens to that little girl who may not have any of these options? Should the little girl, with hair too short to pull back in a bun or who’s too young for chemical relaxers be turned away from class? Is it fair to turn away a dancer who fits all the necessary requirements, but whose hair doesn't make the cut? Should a young dancer do whatever it takes achieve the perfect aesthetic? I struggle with my own feelings regarding this issue because there is a part of me that says, "ballet has strict requirements and we need to try our best to adhere to them.” Strict discipline is what sets ballet apart from many other art forms." At the same time, there is the other part of me which feels that there’s more to art than hair. I feel my identity is being attacked because my hair represents who I am, my roots. Watering down my ethnicity seems to be what is expected of me and that leaves many wounds especially for a young girl just beginning to understand who she is. There is a uniformity that is required in ballet and I assume hair is part of that. Although, a blogger once wrote that I, as an African American dancer, disrupted the uniformity and clean lines of an otherwise all white performance. Should we accept such commentary as the classical standard, or should we challenge it as narrow-mindedness and prejudice? <br />
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In all segments of life, African American women are struggling to fit into a European model. Straightening their hair helps them “fit in” while wearing their hair natural is seen as a provocative statement. Why should choosing to wear your hair naturally be seen as a statement? Recently, Sesame Street's head writer, Joey Mazzarino, was inspired to create a skit to help his daughter, as well as other young Af. Am. girls appreciate their beauty. This inspiration sparked when his daughter displayed a dislike of her own hair after playing with Barbie dolls. The video soon went viral, and even plucked at the heart strings of older African-American women. What consequences do these classical notions of beauty have on all of us?<br />
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It’s amazing to think something as little as how I wear my hair became such a big deal.Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com9tag:blogger.com,1999:blog-6671270451045812775.post-91209913009652134612011-03-23T19:06:00.000-07:002011-03-23T19:06:39.310-07:00The Power of Imagery<div style="text-align: center;"> <i style="color: #990000;">What we don't see is sometimes as impactful as what we do.</i></div><div style="text-align: center;"><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1HjaRatluwXcqXqJ8bcuExVn8vtWEZ7BRrj7tvq_seIfknViywjixBKxKcwJ_v46iOnIECKAcWGkmhea3K-SOoZd3qOL8EAjtTkzckMdqUu9YaJqyxcrVe9dmyqrbK8SAFLRKAsFcNbg/s1600/Aesha_Ash_by_Soniya_Hardy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1HjaRatluwXcqXqJ8bcuExVn8vtWEZ7BRrj7tvq_seIfknViywjixBKxKcwJ_v46iOnIECKAcWGkmhea3K-SOoZd3qOL8EAjtTkzckMdqUu9YaJqyxcrVe9dmyqrbK8SAFLRKAsFcNbg/s320/Aesha_Ash_by_Soniya_Hardy.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Art by Soniya Hardy</td></tr>
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</div>Images have power! As a young ballerina, I was always deeply moved whenever I had the rare occasion to come across the image of an African-American ballerina. Even as a young child I was aware of the deeply personal and moving nature of such imagery. The strong and beautiful lines projected onto canvas or in print were so exceptionally rare, so poignant—they filled me with inspiration and a sense of belief in myself. Only recently has Disney created a black character in The Princess and the Frog. Upon learning of this important breakthrough, after merely 100 years of filmmaking, I thought to myself, "how wonderful for a little girl of color to go to the theatre and see an animated princess who looks like her." As a young dancer, the absence of self-affirming images had a huge impact on how I felt about myself, and also affected the image I thought I needed to portray to be accepted. <br />
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I want to thank the artist like Soniya Hardy, Scott D. Allen, Amy Everhart as well as many other artist who choose to utilize African-American ballerinas.<br />
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<tr><td class="tr-caption" style="text-align: center;">Jazz Lady by Elena</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Oopsy Daisy Fine Art for Kids</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnboBrUx7wAlomChEGDF1_FmfxgwzzCY5OOCKqO5EXmGduZk3-Yjqou8mjTD-udKIWaTAa-7fsxxc7iiiLMfyuCsAukuB0hNHB-u7JI85VJDsiZEegcMpT_1itY2yEgiTKjNsxhd7Nm6E/s1600/the-ballerina-kevin-wak-williams.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnboBrUx7wAlomChEGDF1_FmfxgwzzCY5OOCKqO5EXmGduZk3-Yjqou8mjTD-udKIWaTAa-7fsxxc7iiiLMfyuCsAukuB0hNHB-u7JI85VJDsiZEegcMpT_1itY2yEgiTKjNsxhd7Nm6E/s1600/the-ballerina-kevin-wak-williams.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Ballerina by Kevin Williams</td></tr>
</tbody></table>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com1tag:blogger.com,1999:blog-6671270451045812775.post-36931722879463557612011-03-16T14:47:00.000-07:002011-03-16T14:47:37.640-07:00"SHUT UP AND DANCE!"<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIjuTKlqUKSTI75w0hMeHkNcLWHF_YTeNiFq1b2Syha6JZhHAUwdeR4UuZtk26bcC57WLuJ6MGwi843hCl3LcrU82_3hQc5J3BQ4aRKgW7qOIrv9BBIo_p4eKkC-IQk2Q8zTyYVEphVN0/s1600/Video+48+0+00+33-13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><i><span style="color: #990000; font-family: Georgia,"Times New Roman",serif;">Do discussions about race serve to perpetuate racial attitudes and hamper progress?</span></i><br />
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"Shut up and dance!" A stark and brutal statement indeed, but it's what my colleagues and I would say to each other for excessive whining. Though said half jokingly, this response caused me to think that either my complaints were petty, or were they simply falling on deaf ears. It also reminds me of how as dancers we are expected to endure great pain, work arduously and keep our suffering to ourselves. Actually, those who endured the most and complained the least seemed to be very well respected and admired.<br />
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Recently a friend, who is not African-American, shared a discussion she had over a dinner with a group of women. The topic of the discussion was what the group perceived to be incessant griping by people of color about" their plight." One of these ladies seemed to think that such complaining only made things more difficult for the complainers. After my friend had given a full account of this conversation, I posed several questions to myself. For instance, were individuals in the dance world also fed up with constant reminders of diversity problems? Do discussions about race serve to perpetuate racial attitudes and hamper progress? Does the failure to address significant racial disparities in society make issues of race and inequality go away?<br />
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I never wanted to spotlight my race throughout my career, but the topic always seemed to arise. If it wasn't the random interviewers that seemed to surface every Black History Month, it was the inquisitive onlooker who wondered why there were so few women of color in ballet. I imagine this question would not have ran through their minds had they not seen at least a minority presence. Regardless of this focus on my color, I didn't want to spotlight my race. I knew who I was and where I came from. However, as an artist, I wanted to perfect my craft to such an extent that others would be forced to see beyond the color of my skin. Although, this was my approach, I believe that everyone has a right to overcome obstacles in the way that suits their individual circumstance. No matter what our approach, the end result is to be appreciated and acknowledged for our art.<br />
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This blog is not an effort to stir up yet another tired conversation about race. I simply want to provoke thought and hopefully create solutions for a more inclusive experience in the genre I love so much. It is my sincere hope that honest dialogue, sincere fellowship and real change will result in a world where such conversations are relics from a day long gone.<br />
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<div style="color: #073763; text-align: center;"><i><span style="font-size: large;"><b>PRAYERS FOR JAPAN</b></span></i></div><br />
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<tr><td class="tr-caption" style="text-align: center;">Photo taken from The New York Times</td></tr>
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I couldn't let this week's posting go by without taking a moment to acknowledge those who have lost lives and those continuing to suffer in Japan. I have worked in Japan quite a bit and have met some great people, on and off the stage. My thoughts and prayers are with all of you and especially for those that I have not been able to contact. I pray you are all safe!<br />
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If you are able to give, if only a little, then take a moment and please donate <a href="https://www.mercycorps.org/donate/japan">here </a>or <a href="http://american.redcross.org/site/PageServer?pagename=ntld_main&s_src=RSG000000000&s_subsrc=RCO_BigRedButton"> here</a>.Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com13tag:blogger.com,1999:blog-6671270451045812775.post-69303243721246259192011-03-09T21:47:00.000-08:002011-03-09T21:47:54.353-08:00When in Rome...<div style="color: #20124d; text-align: center;"><b><span style="color: #20124d;"> </span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgelYP_Nyh1wHMM7WzcD_ejAwIU_ORibNpvJXo_roltvp17xqkyOETSbYwt7OTjntdn3cbAatDBbHxiWLA7Zl05rmdVpiVpCF-_LFLADHI07j-nbvCtkZ_tWg23vaGK8gcFmCsTeGpKiDc/s1600/Fontana_di_Trevi_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgelYP_Nyh1wHMM7WzcD_ejAwIU_ORibNpvJXo_roltvp17xqkyOETSbYwt7OTjntdn3cbAatDBbHxiWLA7Zl05rmdVpiVpCF-_LFLADHI07j-nbvCtkZ_tWg23vaGK8gcFmCsTeGpKiDc/s320/Fontana_di_Trevi_02.jpg" width="320" /></a></div><div style="color: #20124d; text-align: center;"><b><span style="color: #20124d;"> </span></b></div><br />
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Touring the world and being exposed to various cultures has significantly impacted the way I approach new and unfamiliar situations. As I reflect on my experiences adapting to different cultural norms and local environments around the world, I can’t help but think about the difficulty many people have in embracing differences in the world of classical dance. Some people only feel comfortable in their own backyard, insisting on a rigid adherence to traditional aesthetics and methods. It's a pity that some people have neither the will nor desire to engage in the kind of rich exploration that I was fortunate enough to undertake during my travels. <br />
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My visits to North Korea, Japan and even parts of Europe had some unique challenges. Simply things like being able to identify local foods or engage in friendly conversation due to language barriers were cause for frustration and discomfort at times. I encountered lifestyles, languages, cuisine, and traditions that were completely foreign to me. However, being surrounded by the unfamiliar was an opportunity to challenge my ability to adapt to my environment, and through this process, learn appreciation. My two years in Lausanne Switzerland is a perfect example. In Lausanne I had to change everything from the way I prepared food to the products I used in my hair. But instead of fighting my surroundings, I choose to embrace these differences and absorb the culture. It was only then that I began to truly feel comfortable. I eventually had a wonderful experience not only in Switzerland - which genuinely became home, but everywhere I traveled. As the idiom, 'when in Rome, do as the Romans' suggests, I mingled with the local people and took the time to learn their culture and customs and I am so grateful I did. <br />
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Unfortunately, not all of us are so open to change. For many, change is a scary word. We should think about the psychological implications of change when we discuss the challenges of diversity, mulit-culturalism and change in the world of classical dance. As a dancer I have asked myself," how can I make others accept me as a ballet dancer if the image I represent is so very different from what most are accustom to?" I can say with great confidence that most people who have seen me perform appreciated both my talent and uniqueness. However, there has always been a stubborn minority in the classical world that is resistant to change. I wonder if these individuals feel that changing the image will change the art? This perception is sad and couldn’t be further from the truth.<br />
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In my experience, change doesn't need to be feared. Having not only experienced and embraced change on so many occasions, I feel not only enriched but empowered to take on new and different experiences with an open mind, and without fear. We cannot force people to accept change. We can only continue to pour our unique selves into our passions as often as we can, and without reservation. I can only hope that through increased exposure to beautiful new images and ideas, the classical arts will reflect the diversity and richness of the world I have been so blessed to travel. Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com1tag:blogger.com,1999:blog-6671270451045812775.post-77334089599426635782011-03-02T19:52:00.000-08:002011-03-02T19:52:37.297-08:00A shortage of African American Ballet Instructors?<div style="color: #660000; font-family: Georgia,"Times New Roman",serif; text-align: center;"><b>A Conversation With Ballerina Andrea Long-Naidu</b></div><div style="text-align: center;"><br />
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<tr><td class="tr-caption" style="text-align: center;">Andrea Long-Naidu</td><td class="tr-caption" style="text-align: center;"><br />
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<i>" Yes you will find that one Black male teacher but how many females do you know? Not many." </i>This sentiment was expressed by Ballerina Andrea Long-Naidu, former member of the New York City Ballet and former principal dancer of the Dance Theatre of Harlem. Regardless of Ms. Long-Naidu's credentials and extensive resume, she still was left frustrated by her pursuit of a position as a Ballet Instructor. As she stood by watching others receive these positions with far fewer qualifications, it left her wondering whether the color of her skin factored into the equation. Prior to reading Ms. Long- Naidu's comment, I never gave much thought to the fact that I never had an African-American Ballet Instructor during my training.<br />
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The lack of African American Instructors is an apparent reality, which is rarely discussed. My desire to present this topic here is to initiate dialogue in hopes of finding a solution, or at the very least, try to uncover the root causes of this problem. The following is a portion of my interview with Andrea Long-Naidu regarding this topic:<br />
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Question: You recently brought up a discussion regarding the challenges you are finding while trying to pursue a teaching position as a black dancer. Why do you feel the color of your skin was the issue, and not that the pursuit of a teaching career in bigger institutions is just as challenging for anyone? As an accomplished dancer what does that say to you?</b><br />
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<i>Response: Due to the economy teacher jobs are hard to come by so we are all struggling no matter what color you are. With this being said I find it is easier for non-Black teachers to get employed. First of all most major schools are not overflowing with students of color so most students of these schools have not be exposed to other teachers. For example I taught at a predominately white school but due to my approach and being a woman of color I appeared to be unsettling for the students. Yes I am a demanding teacher and believe in physically correcting a student as I was as a young student but this made students extremely uncomfortable. I feel due to the limited amount of dancers in major companies that are dancing on stage, the playing field for teachers of color is limited. Yes you will find that one Black male teacher but how many females do u know? Not many.</i><br />
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<b>Question: Did you have many teachers of color? If not when was your first experience with one and what difference did that make for you as a dancer? </b><br />
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<i>Response: The first time I experienced a teacher of color was at Dance Theatre of Harlem. It was a whole new world that exposed me to so much more. First of all I have found people who looked like me and I could feel good about me for they were always pushing me to be better and telling me that I had talent. Don't get me wrong I was blessed to have wonderful teachers of different races but to look at a beautiful Black woman telling me I could be a ballerina was just so inspiring for me. Someone who knew what I was going to face but still believed in me was the force that kept me going.</i><br />
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<b>Question: What needs to happen for things to turn around? What can we do, if anything?</b><br />
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Response: What needs to be done? That is a hard question to answer for some many things need to happen.Parents need to expose them to different people and not keep them in a plastic bubble for this is not the realities of the world. More dancers of color need to be seen and accepted in the major schools. The Ballet world has to let go of old perceptions and step into the new world. This is America and we need to demand the dance world to start seeing this. We must start to contribute money, talent and expertise to uplift dancers of color. Put our interest into institutions that are about diversity.</i><br />
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I now wonder if the presence of an African American instructor would have improved my self image and sense of confidence, particularly in the earlier years. Though I cannot answer with any certainty, I do know that the short time Andrea and I were together at the New York City Ballet gave me a tremendous sense of strength and security. I felt a sense of camaraderie and kinship that comes from shared experience. <i> </i><br />
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I am grateful to Andrea, not only for her participation in this week's post but also for her encouragement and support during our time together in New York City Ballet.<br />
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I also spoke with the <a href="http://www.cityballetofla.org/artisticdir.html">Artistic Director of City Ballet of Los Angeles Robyn Gardenhire</a>, who also runs a school, regarding this issue and she had this to say:<br />
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<tr><td class="tr-caption" style="text-align: center;">City Ballet of Los Angeles Director, Robyn Gardenhire</td></tr>
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<i> "As a teacher I have found that my job is to give what I know to all student, but what I have found my biggest challenge is in the black dance schools which is why I have my own now. I had to make sure parents and studio owners don't push the race card when their child does not get into a school or a job I think that once that child gets it into his or her head it becomes a go to thing and I tell them when I see what the weakness may be to work harder on that and to see more directors you will find a home. As a ballet dancer the line the grace, elegance the body must fit no matter what race you are we must meet the standards and we do quit often. And when we meet all of that and you don't get the job or the school we then see its a color thing, and we must keep going because as you know someone will love you for who you are and what you bring to the world of dance."</i><br />
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I am aware that all students have their own personal battles to overcome, and a teacher who understands their individual story and needs would benefit each and everyone of them tremendously. However, with the scarcity of African Americans in ballet, the rarity of images on display of African American ballerinas and the seemingly small ratio of African American teachers, it's no wonder that these students may feel defeated before they ever truly begin. An environment that neither celebrates nor acknowledges a person's individuality can often be disheartening.<br />
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<div style="text-align: center;"><b style="color: #20124d;">Artful Inspirations</b></div><br />
I wanted to post this just for the love of it. For me it's an image of raw passion and talent waiting and willing to be nurtured. It's a reminder of innocence and abandonment which we all possessed as we entered this world of dance. <br />
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<tr><td class="tr-caption" style="text-align: center;">Twinkle Toes by Henry C. Porter</td></tr>
</tbody></table>Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com8tag:blogger.com,1999:blog-6671270451045812775.post-47320533823477068092011-02-23T19:25:00.000-08:002011-02-23T19:25:26.921-08:00A Universal Language<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYivGuXdYdEDyxWjP_9fga-Ti2rQzLzQDpAgKL460Pvz1Q3aJu5QxLTlK_UrYlhqKfTAyBiNchcp7Z-SRtHDZE6Ne3FdtzNpjcq9Q8M8clgDcys57Ow1N4SJz8K029ZvpUztarzMCbMFs/s1600/sspresents971800863.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYivGuXdYdEDyxWjP_9fga-Ti2rQzLzQDpAgKL460Pvz1Q3aJu5QxLTlK_UrYlhqKfTAyBiNchcp7Z-SRtHDZE6Ne3FdtzNpjcq9Q8M8clgDcys57Ow1N4SJz8K029ZvpUztarzMCbMFs/s320/sspresents971800863.jpg" width="320" /></a></div> <br />
Does dance speak to everyone? Can it bridge socioeconomic, gender and cultural divides? I pondered this question as I watched videos featuring different forms of dance this past week. Though very different from the classical style that occupied so much of my career, I still felt a kinship with the dancers—a oneness with the movement.<br />
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On the news the other day, a group of dancers from Oakland, CA were featured. The group was impressionable, not only for their talent but for their message. The commentary described dance as an "international language." However, clichèd as the description may be, this time it resonated quite differently with me. It caused me to reflect deeper on the power and potential of dance. With this realization, I wondered if we as dancers are maximizing its potential. I'm not so sure.<br />
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</div>A former Alvin Ailey member posted this Brazilian dancers emotional interpretation of The Dying Swan on Facebook. Although, utterly different from any interpretation most of us were accustomed to, its impact was no less powerful, and prompted dozens to share their thoughts and feelings.<br />
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This is an example of how one voice can open minds, change perspectives and unleash worlds of posssibility. In the same way, dancing as a form of expression can be used as a vehicle to wash away institutions of thought that keep people divided and our humanity deprived of its colorful beauty. I am noticing this trend more and more with Urban styles of dance, I wonder if ballet could create this type of impact?<br />
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If dance truly is a universal language, what would you want your art to say?Aesha Ashhttp://www.blogger.com/profile/02564261871306909541noreply@blogger.com2